June 6th, 1944 is remembered for being D-Day, which was when the Allied Forces staged the largest amphibious landing in history, on the northern coast of France, with 150,000 Allied soldiers and vehicles hitting those beaches. 15,000 soldiers were killed and/or wounded on that single day. Pretty mind blowing when you really think about what they had to do. The bravery, the guts, and the balls, to land right and march right into hell.
After the last two missions being a little more challenging, you’re going to have a much easier time with “D-Day”, especially more than those brave soldiers did, storming those beaches under heavy fire. All you have to do is find two horror movies that you have not seen before, that start with the letter D. Simple enough, don’t you think?
So you have until 11:59pm on June 30th to find and watch two horror films that you have not seen before, and then report your mission in the comment section below. As always, please feel free to comment other your fellow soldiers reports.
kitleyskrypt.com 
#1: Don’t Answer the Phone (1980). I have a box of DVDs/BDs that are my to-see list. It’s a big box. This title was picked because it started with a D. I looked it up and the ratings are not that great… and it doesn’t really have any names that jumped out at me. But, for the good of the Kryptic Army, I have to do my part.
My trepidation aside, I actually liked this movie a LOT. It’s not gory enough to be a slasher, but definitely seems to anticipate that the slasher craze was about to take off. There’s a crazy killer, some humorous detectives… and a cat-and-mouse bit of sleuthing. The killer is so well played by Nicholas Worth. He ranges all over the place in his emotions and voices. In a lot of ways, the killer and the film are sort of along the same lines as “Maniac” (though not as sleazy). I would unequivocally recommend this film.
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#2. Dream Demon (1988). Going for the double d on this one. Arrow Video has just released a clean-looking so-called “director’s cut” taken from the negatives. It does, indeed, look great. And our female lead is Kathleen Wilhoite (Witchboard, Roadhouse) which I see as a big plus. I have no idea what makes it a director’s cut since I’ve never seen it before. There are plenty of extras, too.
Now, the movie itself… I’m not going to say it’s an underrated gem or forgotten classic, because it’s not. It’s got some interesting visuals (like the classic man on fire) and a solid cast… but it’s not nearly as coherent as I wish it were. I mean, I get it, this is a film where dreams and reality blur, so coherence is not necessarily important. But… um… the whole wedding thing and paparazzi angle didn’t feel like it was explained well enough — why did it matter??? I would watch this again… but it’s not one I would be quick to recommend to the average person.
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I honestly don’t remember if I’ve seen Don’t Answer the Phone, but I guess I need to double check and see it now.
I know I watched Dream Demon back in the VHS days, but remember very little. But I’m sure at some point, I’ll be watching a copy of this new release.
Thanks for the report, Gavin!
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My two D movies, while genre related are not really horror.
Movie #1 The Devil Incarnate. I know this one is Kitley approved. Naschy claimed it was one of his best, if not his best film. Definitely showcases the talent the man had and I am sure he did not mind bedding all those lovely women. While it was interesting to get Naschy’s perspective on how he felt about humanity, it was also interesting to have your main character being a total dick, I guess kind of how devil would really be. Above all, this one really showcases Naschy was a man of many talents.
Movie #2 Deadbeat at Dawn. Yeah I know, never saw this before, or at least I don’t recall. Actually I think I have only see JVB shorts and videos, no full length. Little drawn out, a little too talky but overall impressive for low budget guerrilla-style filmmaking. It is a shame what Van Bebber turned into, he had (has) talent, but I guess alcohol can do that to you.
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Damn right I approve of Naschy’s Devil Incarnate! But I am glad you liked it. Very different his usual monster rallys, but definitely shows the mood he was in when he wrote it.
I have seen Deadbeat, but other than giving him props for getting it made with that budget, not a big fan of it.
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(The) Devil Times 5: 1974
Synopsis: 5 mentally deranged children escape when the bus transporting them crashes in the snow. They head to, and are taken in at; a winter ski lodge for a rich man and some of his friends/business associates. The children begin to kill off the various adults in deranged and creative ways whenever they feel insulted, slighted or just bored.
Review: This is a very 70’s low budget movie with stretches in believability, poor acting, some tired clichés and some twisted ideas. The children are pretty 1 dimensional with textbook psychosis that is the entirety of their characters with little other depth. All that being said, I really did enjoy this movie. It was a twisted sort of fun at times and had some truly horrible/ creepy moments; especially when the woman who wants to take in and “become mother” to the group’s pyromaniac is burnt to death; all the while pleading to the child she wants to take in and love. Another disturbing moment is the final scene where the children play with their “new toys.” If you like 70s exploitation films and/or movies with killer kids; you may want to give this a try.
Dellamorte Dellamore (1994?)
Synopsis: A synopsis is hard to give on this movie as it seems more built on imagery and substance than a true coherent plot but I will do my best. The lead character has been hired to run the town’s cemetery. The cemetery has a problem with the dead rising as zombies after 7 days. So, his main job is to kill them again and rebury them. To do his work he has a simple minded assistant to help. He falls in love with a recently widowed woman and by showing her the ossuary (a small shack full of bones and skeletons) he convinces her to fall in love with him. During sex, her ex-husband rises and bites her. She dies (at least Dellamorte thinks she dies) and sits back up. He shoots her. 7 days later she rises again convincing him that she was still alive the first time he killed her. This, as well as several other odd occurrences (including meeting her again; or women that seem to be her) makes his sanity falter and he begins struggling with the concept of alive and dead. He begins to kill the living. Eventually, he packs it all up and leaves with his assistant to escape the town forever, only to discover there is nothing beyond the town.
Review: To start; although this is listed in many horror references, I don’t see this as a horror movie. It is more of a black comedy with a philosophical bent. To be honest, I am not smart enough to determine what that message is; but it is clearly there. Perhaps something along the lines of “life and death are interchangeable without love” or “We can only be truly alive when we embrace our mortality” since the cemetery seems to be more alive with nestlings, animals, plants & more lively people than the town; and true love is only found by the two main characters within the cemetery walls. At any rate, the movie, as I mentioned in the synopsis; seems more concerned with imagery than a story. In fact the “story” shifts gears so often and feels so disjointed that it is almost as if it were several different stories grafted together. The characters are odd far beyond the normal sense of “odd.” All of them. That being said the imagery is beautiful (& horrible at the same time). Great care was taken with the bright colors, the deathly images and overall design. It is a fun movie to watch and intriguing to watch unfold. So I even though, I generally like more straight ahead stories with allegories that are simpler to follow, I enjoyed this movie because it appealed to my visual senses and the artistic side of my mind. Sometimes that’s worth just as much.
Sorry that was so long, but with a movie like that. One or two sentences can’t quite explain the madness that is that movie!
Since it is so early in the month I hope to get another movie to add to the mission before the month ends. I promise my “review” will be shorter.
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Devil Times Five is one of those great ’70s killer kid movies. I agree it is a little hard to buy at times, but as you said, it is pretty entertaining.
As for Dellamorte, I actually LOVE this movie. From the look, the feel, the music, the effects, the cast, and yes, the craziness of it…love it all. I do agree that the plot is a bit… strange. But it didn’t bother me a bit. Think I need to rewatch this one again…been too long!
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I sometimes forget Dellamorte Dellamore is still up there as one of my favorite zombie movies ever. Likely also because it’s not just a zombie movie, but so much more and so atypical. Surreal, profoundly poetic-like, mysteriously supernatural. Metaphorical & philosophical, if you will. And portraying some unique visual artistry. Funny, scary and beautiful at the same time. Plus, it comes with a magnificent music score. Glad to see you liked discovering it.
Enjoyed reading your review on it too, so no need to apologize for its length. (or to shorten your upcoming ones, for that matter)
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Thank you for the kind words. I’ll admit I love reading other peoples thoughts on the movies they watch. If I haven’t seen it yet it gives me an idea if I would like it or not. If I have, I love to hear what others thought and what kernels they picked out of it that I missed.
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DETOUR (2009)
Original title: Snarveien
What we have here, is a Norwegian take on the ‘kidnap & torture’ genre with a snuff angle mixed with online voyeurism. But the emphasis lies not on torture and the snuff plot isn’t exploitative either. It aims to engage the viewer by figuring out the relational involvement of the characters, who are all introduced in the first half of the film. Which, admittedly, isn’t too difficult to guess. We’re dealing with a lovable young protagonist couple – thankfully not the of bickering kind – on a nightly roadtrip with a funny mission (booze smuggling across the border for private use: their best friend’s wedding party). That’s established right from the start. So, given the premisse and type of this film, everyone they come across raises suspicion per definition (at least for the viewer, not per se for our leading couple). The second half goes for survival tension, as we all know what’s going on by then – so does our couple and they’ll have to escape and survive the night.
With 77 minutes it’s not a long ride to sit through and, even if not my favorite subgenre, I didn’t mind doing so at all. While not most original in concept, it’s still a fine, tight little thrill feature from Norway with an overall accomplished feel to it. Which on itself, should be worth already checking it out for. The language and locations make the movie feel different enough from the usual outings in this genre. Granted, it can’t compete in intensity with what the French were cranking out at the time (Frontière(s), Haute Tension, À l’Intérieur) but it’s also applaudable Snarveien decided not to take things down the gore route (like the aforementioned French titles did) and, in the end, it’s not as doom-laden either. On the other hand, it also means gorehounds will find little to chew on here and those expecting intricate plot twists or hoping for a make-’em-die-slowly nihilistic fix, will be left hanging as well.
DEMON DAYS (2007)
Original title: They Wait
Since this ghostly outing arrived a little late in the game and didn’t exactly seem to have made much splash anywhere, I wasn’t expecting a great deal. In 2007 we were already way past the whole J-horror boom, followed by the American Ring and Grudge remakes and the new wave of Spanish ghost movies had also reached its peak when that same year’s sensible The Orphanage came out. Was anyone still waiting for a modestly budgeted Canadian production to join the flooded ranks?
With how the DVD edition in our country looked – fairly generic cover art and released under the aka title Demon Days, which does sound more catchy than the somewhat uninspiring They Wait title – I honestly was anticipating a mediocre quality straight-to-DVD effort. Something like, let’s say, Séance (2006, the one with Adrian Paul as the only ‘name actor’ in it) that struggled to be average at best. Especially since Demon Days has Michael Biehn similarly advertised as the ‘name actor’ in it, even though his role is quite minor. And marketing-wise, it looked like they were trying to sell it as another Asian-like ghost movie where, once again, an Onryō is responsible for the hauntings.
All this to say that if the actual film thrown at you would be exactly as it’s been packaged and sold, any cynical / critical viewer would have had a whole field day in advance, thinking about ways to knock it straight back out of the park. But instead, you’re getting a curve ball that’ll make you miss that bashing-for-pleasure home run, while it unexpectedly proceeds to shatter the most precious porcelain vases in the room behind you. Simply put, this Canadian film is far better than it looks and certainly exceeded my (limited) expectations. And those smashed vases mainly refer to what all it does right as things unfold, so not like you’ll get to see some of the most amazing fright moments ever committed to the screen.
Demon Days / They Wait offers a bit of everything, including some of the more common genre tropes, and still a little more. There’s a historically rooted background story, visually shown during interspersed period scenes. There’s a family mystery, entangled with Chinese culture. Some elements of The Sixth Sense and the eastern equivalent of Dia De Los Muertos festivities are thrown in the mix. And, of course, ghostly apparitions. But they’re not exactly of the commonly average variety. We’re dealing with ghosts who got an upgrade and turned demonic. Obviously because very bad, unresolved things happened when they were still among the living. A realm they get to visit again once a year, eagerly so. Not to haunt, but to claim souls of those alive.
There’s a lot at play here, both in plot terms and with the characters. Even if the script feels a bit rushed during the first half, it’s constructed well enough to pay things off in the second half. We even get the medical vs spiritual perspective mixed up in the story. But ultimately, the characters stand out the most and the secretive family business plotline is the one that prevails. Caught up in all this, stands a mother trying to safe her son from the grip of a demon ghost. Which, granted, is a safe bet of character drawing to evoke emotional investment from most viewers.
You can expect some ghostly CGI, but they’re handled appropriately. There’s jump scares that work – remember the sudden librarian ghost manifestation in the original Ghostbusters? Yes, sadly, they don’t make ’em that practically anymore these days. But the shock effect still works all the same (you’ll know the scene when you see it). And you do get some ghastly special make-up effects and a viciously brutal murder scene later in the film to boot. Plus, how many ghost movies have you seen telling a story that manages to address both crimes against humanity and animal cruelty?
I’ll admit I have explanation nor excuse for not really having noticed Jaime King before in quite some other good movies she’s in, because here she greatly performs in her leading role. Almost embarrassed to confess that They Wait is the film that made her go bleeping strongly on my radar as an actress, again. Again, because now I do realize she did previously make a noticeable impression as officer Bradimore in the Silent Night (2012) remake. I think I may want to (re-)watch some more now, as it seems she’s not just active as an actress only, but has been steadily building up an impressive body of film work altogether.
End verdict: If you have a liking towards post-2000 ghost movies, then here’s one that’s decent without being an easy score backed by major studio. Just avoid watching the trailer beforehand; it makes the actual film look cheap and even gives away a surprise of two (by both showing and explaining too much).
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Sorry for the late reply, Gert. I’m glad you’re bringing in titles that might not be that familiar in these parts! Great way to expand one’s horizons!
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Only a few more days to a new mission, and I just realized I hadn’t done my two films! Thankfully, I looked over what I had watched this month and found 3 titles that start with D. Whew…that was a close one!
Devil Girl from Mars (1954) – A fun little flick from the ’50s, granted most of the movies from that era are entertaining, even in a bad sort of way. Great cast and just a lot of fun.
Dogora (1964) – I had never even heard of this movie before stumbling upon in on Amazon Prime. Turns out to be another Kaiju film from Ishirô Honda, so that had me right there. Starts out more of a jewel heist / police chase thriller, but then you get a giant jellyfish from space! How could that be bad? Honestly, not my favorite of these films but glad to check it off the list.
The Deeper You Dig (2019) – A low budget film that tires to go beyond their budget with style and it does work for the most part. Creepy in some parts, but the ending is a little unsatisfying.
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Dogora (aka Space Monster Dogora) is such a crazy slice of kaiju that I absolutely need to revisit. I also remember enjoying Devil Girl from Mars, if only for another glimpse at my girlfriend Hazel Court.
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KRYPTIC ARMY MISSION: D-DAY!
I gotta say, this was a rough one. I decided to dig through my collection and knock out an assortment of “D” movies that I hadn’t yet seen, figuring there had to be some undiscovered gems in there.
Ahem. Not so much.
DEMON OF PARADISE (1987)
d. Cirio H. Santiago (Philippines)
This was kind of a miracle of exploitation filmmaking in that all the ingredients were present and accounted for and yet somehow it never is quite as entertaining as it feels like it should have been. We’ve got an amphibious Gillman type monster with a solid creature design, tropical locales with numerous bikinis, one instance of nudity so completely gratuitous that it ought to serve as the textbook definition, and subplots ranging from dynamite smuggling to “The beaches stay open!” tourist attractions. I mean, how is this not an amazing movie???? And yet… it totally isn’t. To be clear, it’s not terrible, and in some ways, that’s too bad since it doesn’t even really venture into Turkey territory (which is not to say it wouldn’t be enjoyable poking fun at it with friends MST3K-style).
Fun fact: Director Santiago directed 100 films in his career, including such 1970s drive-in “classics” as Vampire Hookers, TNT Jackson, She Devils in Chains, and Hell Hole.
DOOMSDAY MACHINE (1972)
d. Harry Hope / Lee Sholem (USA)
I suppose I only have myself to blame for this one, considering the 2.5 IMDb rating. You’ve got a plot involving a Chinese spy stealing the secrets to the titular nuclear device around the same time NASA is launching a space trip to Venus complete with last-minute female astronauts added to the crew. Quelle risque! Turns out the reason for the last-minute switcheroo is that said Doomsday Machine is already apparently clicked on and ready to roll and it’s Noah’s Ark time for humanity. So, off they blast into space and the next hour is a whole lot of uninteresting not-very-technical tech talk and even more internal bickering among the inhabitants, which include Grant Williams (a long, long way from The Incredible Shrinking Man), Bobby Van (pulling the same annoying “comedy” shtick from Navy vs. The Night Monsters), and perennial TV guest star Ruta Lee. (Casey Kasem and Mike Farrell also have brief cameos.) Now, while it doesn’t make the rest of the movie worth sitting through, there is one amazing moment where Williams and another female astronaut accidentally blow a hatch and are suddenly “floating” (on strings) in Zero G with blood coming out of their eyes. That was AWESOME.
DOOM ASYLUM (1988)
d. Richard Friedman (USA)
I went into this one with a fair degree of optimism, having enjoyed Friedman’s previous film Scared Stiff and knowing that this represented Frankenhooker star Patty Mullen’s only other feature film appearance. Sucker!!! Nope, it’s a super dumb “horror comedy” with unfunny lines spoken by untalented actors in an uninspired plot about kids hanging out in a supposedly haunted hospital. I mean, it’s PAINFUL. But then, there are these stunning moments of well-executed gore courtesy of Vincent J. Guastini (Spookies, Requiem for a Dream, and about 100 other film credits, over half of which I’ve never heard of. Vince, FIRE YOUR AGENT.) It’s shocking how shocking these moments of competence are amidst the sea of amateur hour everything else.
DEADLY MANOR (1990)
d. Jose Ramon Larraz (Spain)
This is another one that could have been so much better, considering the premise and writer/director Larraz in the driver’s seat. You’ve got an obnoxious group of youngsters out for a camping trip “somewhere in America” (evidenced by the Bob’s Big Boy statue riding around in the back of a passing truck) and they decide to go off the main road and stay the night in a deserted mansion interior decorated with hundreds of photos of a mysterious (and oft unclothed) woman (“Queen of the Bs” Jennifer Delora). I mean, come on, how do you screw this up? Answer: by forcing us to spend an hour with these yo-yos wandering around bitching at each other without anything happening. Once the crew finally starts getting bumped off, it’s a relatively bloodless affair that barely registers. Only the last 10 minutes provide any juice, and most of that comes courtesy of Ms. Delora (who actually has had a fascinating career – worth checking out her IMDb bio). https://www.imdb.com/name/nm0217709/bio?ref_=nm_ov_bio_sm
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Santiago did direct a bunch of movies, but not sure if there are any that are really that great. I always thought about Vampire Hookers for Turkey Day, but just couldn’t bring myself to torture everyone!
Doomsday sounds…like a whole bunch of fun…that I can probably wait on.
I need to revisit Doom Asylum, as bad as it is, but just because I watched it so long ago, I need a refresher!
Hopefully Deadly Manor is better than Edge of the Axe?!?!?
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God help me, I liked Edge of the Axe more than DM.
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Doomsday Machine was done by Cinematic Titanic (Joel & much of the MSTK3000 gang) several years back. They point out a lot of interesting things about the movie; like that the spaceship keeps changing every time they show a different outside view of it and that the ending was tacked on years later with totally different actors. Bizarre movie!
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Agreed! Ken Begg of Jabootu’s Bad Movie Dimension does a great job with it here as well.
http://jabootu.net/?p=560
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Four D-movie entries, impressive! And quite the intriguing titles to boot, even if for seemingly all the wrong reasons. Demon of Paradise already caught my interest before, since it’s a creature feature with dubious qualities. José Ramón Larraz’s Deadly Manor (which I wasn’t aware of) almost read like a summary of Juan Piquer Simón’s Chthulhu Mansion, which was made around the same time (and also screwed things up, despite it’s alluring title and arousing poster art). Funny happenstance there: two Spanish filmmakers making a similar sounding ‘Obnoxious Youngsters in a Large House of Terror’ genre flick in America at the start of the ’90s. Something in the waters, perhaps?
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I remember being SO EXCITED to finally see Chthulhu Mansion…then so depressed after I watched it! So bad.
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DeadTectives (2018) -I guess I was in a horror/comedy mood this month. I’ve been enjoying a lot of the Shudder originals lately, so I thought why not give this one a try too? It was your typical explore a haunted a house kind of plot. I thought it was cool how they kind of poked fun at all of those fake haunted house tv shows. The subtle tips to other movies was awesome, but the obvious ones were kind of eye rolling. I guess I would give this one a 6 out of 10. It was ok, but it didn’t wow me.
Dead and Buried (1981)-This movie surprised me. It was tense and mysterious with almost a dreamlike feeling to it. I loved how the killers photographed their victims. That was a unique touch. I love Robert Englund in anything, so that is a plus for me. The filming locations were spot on to what I would imagine a Potter’s Bluff would look like. I thought the ending was great too. I was thinking the ending is either going to make or break this movie and it nailed it. I almost want to watch it again to see if I missed anything pointing to the surprise.
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I don’t think I’ve heard of DeadTectives and honestly don’t see myself seeking this one out. But you never know….
But am thrilled that you discovered Dead and Buried, since it is an amazing film! I love the story and how it plays out. So glad you enjoyed it.
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Man! Where did this month disappear to? Let’s dive right into the films…
The Death Of Immortality (A Halhatatlanság Halála) 1977/Hungary
Hungarian made-for-TV movie adapting Isaac Asimov’s novel ’The End Of Eternity’. Hard core intellectual science fiction done in the Eastern Bloc on a 70’s BBC Doctor Who budget. That combination practically guarantees a migraine. I was perplexed after I viewed this, but then I found a recap of the Asimov novel which helped explain a lot of my confusion. The movie did a good job of following the plot of the novel very closely, as it turns out. I would recommend this to any fans who remember when science fiction wasn’t blowing up stuff, and being chased by things. (Although they do manage to blow up some things at the climax of the movie!)
Dab6e (Dabbe 6: The Return) 2015/Turkey
In the last decade, the Turkish film industry has discovered horror, and is excelling in its execution. This is the 6th movie in this franchise. Another franchise, “Siccin”, is up to #5. And there are dozens of other horror films (many on YouTube with English subtitles!). This film is a dark mix of curses and possession. And Djinns. You know how we have our demons which cause so many problems in our horror films? They are like your dear, sweet Grandmother, compared to Djinns. Despicably evil, Djinns love driving their victims into terrified insanity, or possessing them, with very unpleasant results. The filmmakers make incredible use of their locations, moving between modern urban areas to abandoned, decrepit villages in the middle of nowhere. There are enough twists in this move to make you need a chiropractor when it’s done. Check it out! I don’t think you will be disappointed.
Bonus movie!
Darna vs. The Planet Women 1975/Philippines
Darna is a popular Filipino super heroine, first appearing in comic book format in 1950. She was so popular that there have been 14 Darna films produced since 1951. For more information you should check out her Wikipedia page. Anyway, this is the ninth Darna film, and it has her up against a quintet of colorful, bikini-wearing alien babes (one is blue, one is yellow, one is green…you get the picture). They have come to Earth to steal the minds of various top scientists to obtain information that will enable them to….do something. I don’t remember what their plan was exactly, but you can rest assured it was nefarious. Darna throws down with each of the aliens, and finally sends them back to their home planet with their tails between their legs. Hooray! Mindless super hero fun to pass the time.
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Come on, Bob. What are you doing throwing in a Sci-Fi movie! We all know that’s not a real genre!!!
I do have you, any everyone else in here, when you post movie titles that I’ve never HEARD of! This tells me that I will never run out of things to watch! So thank you for putting a few more titles on my radar. Those two Turkish series sound pretty damn interesting!
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So much for editing…I meant to say, I do have to you credit, along with everyone else, that brings up new titles.
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Movie 1: Dead Birds
I’m usually a sucker for western/civil war era set horror movies so I was eager to check this out. Especially seeing Michael Shannon in the cast. Unfortunately, it was an incredulously slow burn and I found my interest waning away quite often. There just wasn’t any excitement. And I’m not an adrenaline junkie either. It was so slow, that I was tempted to pop in “Exit Humanity” because as slow as that was; it moved along with some noticeably moving pace. I also felt it didn’t play on the isolation either. I actually LOVE films that take place in one location, “Night of the Living Dead,” “Clerks,” etc… But, this just fell a little flat for my taste. It was beautifully shot and the editing, lighting, and sound was excellent.
Movie 2: Deep Red
How in the &*(% have I not seen this one before?! Wow. I have seen so many movies that have been inspired, borrowed, or even just flat-out lifted from this picture! I’ve only seen a half dozen or more Argento features and this one sits mightily high above some of them. The Goblins soundtrack always keeps the pacing interesting and funky. Definitely going to have to get a copy of this one.
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I remember Dead Birds having some interesting elements to it, but don’t remember too much more.
But more importantly…you had never seen Deep Red before?!?!?! Well, I’m glad I am the cause of that being fixed! And that you enjoyed it. Such a stylistic piece of genius there. I would check off those other early Argento films you might not have seen yet.
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