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For those book lovers in your life, here are more than a few gift ideas for the upcoming holidays, or just because you want to support the print industry! I know each and every one of these titles will be added to my own personal library in the very near future! But these are a few that we’ve recently come across that sound pretty amazing.

Darkening the Italian Screen: Interviews with Genre and Exploitation Directors Who Debuted in the 1950s and 1960s by Eugenio Ercolani is a collection of interviews with names that might not be as familiar with most fans, but yet have had a huge impact on the Italian exploitation cinema. There are some of the usual suspects like actor George Hilton and director Sergio Martino, but then we’ll also get to hear from the likes of Uberto Lenzi, Alberto De Martino, Enzo G. Castellari, Franco Rossetti, among others. I can’t wait to hear some of their stories and tales from the trenches of getting some of their films made and released.

Book Review: The Dr. Phibes Companion

The Dr. Phibes Companion
Published by BearManor Media, 2018. 274 pages
By Justin Humphreys

One of the first movies I rented when I bought my very own VCR was one of my all time favorite films, The Abominable Dr. Phibes (1971), starring the amazing Vincent Price, and it still remains the same to this day. How could you not love this movie about this evil genius who sets out to get revenge of those who he believes caused the death of his wife, each one in a very creative way? It’s one of my favorite character’s that Price brought to life and is always a treat to watch. So when I first read about the news that there was going to a book dedicated to the Phibes films, I was more than a little excited.

With contributions by Mark Ferelli, Sam Irvin, and David Taylor, and a forward by Phibes co-screenwriter William Goldstein, author Humphreys has compiled so much information about the first Phibes movie, its sequel Dr. Phibes Rises Again (1972), as well as the many proposed sequels that never got off the ground. Humphreys has done an amazing job compiling information about these titles from the original screenplays, letting us know the differences between them and the final product, finding and hiring the director, the art direction, casting, makeup, the score, and just about everything you could want to know about them! As a Phibes Phan, you’ll learn more here than you thought you could.

New Book on Dr. Phibes!

When I first really got into horror films, one of my favorites was The Abominable Dr. Phibes (1971), starring the wonderful campy Vincent Price. Even though he was the villain, you always rooted for him! And even though he never actually “talked” in the film, he still commanded your attention each and every frame he was on screen. With a beautiful mixture of horror and humor, director Robert Fuest and Price created a highly memorable character that we got to experience in not only the first film, but its sequel, Dr. Phibes Rises Again (1972).

Last year, one of my favorite books that I read was Interviews Too Shocking To Print by Justin Humphreys. So when I discovered that he was coming out with a Dr. Phibes companion book, I was just ecstatic. BearManor Media has announced that The Dr. Phibes Companion is now available for pre-order, both in hard and soft cover editions ($32 & $22), though they don’t have a publication date on the site just yet.

Humphreys had previously written about the first Phibes movie in “The Kind of Fiend Who Wins” and now takes that and expands on it, giving us the definitive history of our favorite devious doctor, as well as a new essay on the sequel, Dr. Phibes Rises Again. There is also a new forward by William Goldstein, one of the creators of this wonderful character. Adding in interviews with many of the people involved with the films, such as director Fuest, screenwriters Goldstein and James Whiton, art director Brian Eatwell, sound designer Peter Lennard, organist Nicholas Kynaston, composer John Gale, and many others. The book will also include never-before-seen production artwork by Fuest from his personal shooting script, as well as photos that have never been published. And one part that I’m really interested in reading, the thorough history of the sequels that never came to be.

I know this will definitely be added to my library once it comes out and can’t wait to dive into it. For more information, just head over to BearManor Media’s website HERE.

Soundtrack Review: The Abominable Dr. Phibes

The Abominable Dr. Phibes
Released by Perseverance Records, 2005
14 Tracks, with a running time of 39:49 min.
Composed by Basil Kirchin

Celebrate the Titans of Terror

I know a lot of people spend this upcoming 3-day weekend grilling or spending time outside. But if you’re trying to think of some alternative way to spend your Memorial Day, might I offer up a suggestion? There are three very important figures in the horror genre celebrating birthdays this Thursday and Friday. And even though they have left us, it is just as important now to celebrate their work and remember them as when they were still with us. Of course, I’m talking about Peter Cushing, Christopher Lee, and Vincent Price.

Super Monster Movie Fest #5

The Skyline Drive-In in Shelbyville, Indiana, which is about 30 minutes southeast of Indianpolis, has just announced their lineup for this year’s Super Monster Movie Fest. This will be there fifth year doing this, and I an proudly say that I’ve been to two out of the four so far, and am planning to be back there for this one.

Movie Review: The Fly (1958)

The Fly (1958)
Directed by Kurt Neuman
Starring Al Hedison, Patricia Owens, Vincent Price, Herbert Marshall, Charles Herbert

In the world of fantastic cinema, the mad scientist theme is one of the oldest sub-genres. Right from the beginning, storytellers have been weaving cautionary tales of men meddling with things best left alone. For those who try to push or break through those boundaries, there is usually a hefty price to pay: their life, or at the very least, their sanity. Most of these stories present a man trying to take over the world through some devious plan or device that he has created, corrupted either by visions of power or the invention in question having scrambled his brain to where he is no longer thinking rationally. Within these films, the dramatic action revolves around stopping this demented genius before it is too late; the end-credits lesson for the audience being that man is better off leaving things as they are, lest this fate befall them as well.