The Omen Score on White Vinyl

omenVarèse Sarabande has released a limited edition “demonic white vinyl” version of Jerry Goldsmith’s Oscar winning score for Richard Donner’s The Omen (1976). Talk about an iconic score! This release is only available on Varèse Sarabande website and each of the copies of this remastered LP will be hand numbered, as well as only having 666 units being released.

This is one of those scores that just listening to it can bring back the chills the film creates and has always been one of my favorites. This is a prime example when a score enhances what is happening on the screen so much, it truly is a masterpiece.

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Soundtrack Review: Killer Klowns Re-Imagined

KillerKlownsFromOuterSpaceReimagined

Killer Klowns from Outer Space: Re-Imagined
Released by Varèse Sarabande, 2018
21 Tracks with a Total Running Time of 61 min.
Music from the film by John Massari

When you have a great score for a movie that you just happen to love and have seen many, many times, I tend to get a bit nervous when I hear the score has been “re-imagined”. Some of the sounds and themes are something you remember when from watching the film, so to change those in anyway can make a noticeable difference. Fortunately, any differences here weren’t enough to take away from the enjoyment of what this is…a re-imagining.

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Soundtrack Review: Ghost Stories

Ghost Stories Soundtrack

Ghost Stories
Released by Varèse Sarabande, 2018

40 Tracks with a Total Running Time of 60 min.
Music by Frank Ilfman

With a title like Ghost Stories, you can pretty much tell, or at least hope, that the score will be filled with creepiness to chill your spine. Unfortunately this score is not like that, at least in the traditional sense. There is nothing where it seems like the composer said, “okay, here comes the creepy part!”. But instead, he fills out this long release with some very somber and quiet pieces, a lot with piano, that still is able to build a nice sense of atmosphere. It might not be overtly creepy, but it still has its fingers in there.

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Soundtrack Review: I Kill Giants

I Kill Giants ScoreI Kill Giants
Released by Varèse Sarabande
, 2018
17
Tracks with a Total Running Time of 53 min.
Music by Laurent Perez del Mar

While this might be a little off the usual horror path that we’re on, I am a sucker for soundtracks, and this is a movie about giants, so it kind of fits, right? I had never even heard of the title before getting this to review, but I did make the mistake of watching the trailer before listening to the score, because then I knew I couldn’t get a fresh take on it. But I have to say from what I seen in the trailer, the music that Laurent Perez del Mar created is just beautiful. Right from the first track, Barbara, we get that magical feel of this unique little girl. This firs track is quiet and somber, but almost gives off a sense of wonder.

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Soundtrack Review: The Strangers: Prey At Night

Strangers Prey at NightThe Strangers: Prey at Night
Released by Varèse Sarabande, 2018

23 Tracks with a Total Running time of 73 min.
Original Music By Adrian Johnston

In case you’re weren’t aware of it, but I tend to listen to a lot of soundtracks. Anytime I’m working on this site,  or doing any writing, I have a movie score playing. One of my favorites of all time is John Carpenter’s The Fog. Why am I bringing this up? Because as I was listening to this score for The Strangers: Prey at Night, the opening sure sounds a LOT like The Fog. Now I’ve been told by those that have seen it that it purposely has an ’80s feel to it, so maybe that’s why the ‘homage’. But geez…that is one hell of a homage. This piece is reprised later in the score on the track On the Run.

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Soundtrack Review: The Shining (1997)

the shining 1997

The Shining (1997)
Released by Varèse Sarabande Records, 2017
3 Discs – 64 Tracks with a Total Running time of 2 hr. 29 min.
Music by Nicholas Pike

Being released for the first time, Varèse Sarabande has unleashed Nicholas Pike’s epic score for the 1997 mini-series version of Stephen King’s The Shining. It’s common knowledge that King wasn’t particularly fond of the movie version of his novel, so with him writing the screenplay and directed by long time King collaborator, director Mick Garris, they made a version that he would be happy with. Pike was in charge of bringing the sense of dread in musical form for the mini-series. And he does a fine job with it too.

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