Directed by Jeff Gillen and Alan Ormsby.
Starring Roberts Blossom, Cosette Lee, Micki Moore, Robert Warner, Pat Orr
Of all the films based on the real life story of Ed Gein, I would say this one is the most accurate. Since I grew up in a small town in Michigan, I’ve always found this film to be very creepy, since there were a few people in my town that could easily have been another Ed Gein. In case you’re not aware of the facts, Gein was from Plainfield, Wisconsin that murdered at least 2 people, but also had dug up several people from the local graveyard, using their body parts for nefarious things, before he was caught in 1954. How something like that could have be going on, and nobody would have ever know, boggles the mind. According to author Robert Bloch, that is the one thing that he took from the whole Ed Gein affair for his book Psycho, that a small town America could be housing a terror that nobody was aware of. Tobe Hooper also took a lot of ideas from Gein for his film The Texas Chain Saw Massacre (1974), including the fact that Gein had face masks made from human skin. Continue reading
The Prowler (1981)
Directed by Joseph Zito
Starring Farley Granger, Vicky Dawson, Christopher Goutman, Cindy Weintraub, Lawrence Tierney
While overseas during World War II, a soldier receives a “Dear John” letter from his girlfriend. Once he returns home, he gets revenge during the local graduation dance by stabbing a pitchfork through her and her new boyfriend. We now move ahead to present day (or 1980, for that matter), where the town is planning on its first graduation dance since those unsolved murders back at the end of the war. The sheriff is on his way out for his yearly fishing trip, and leaves the town in the hands of his young deputy. When the news of a fugitive on the loose in a nearby town, the deputy and his girlfriend start to get nervous. More importantly, who is this guy sneaking around in the army gear, armed with a bayonet and pitchfork? Continue reading
You can’t be a horror fan and not know who Tom Savini is. It really is simple as that. Growing on horror in the late ’70s and early ’80s, Savini was simply a god to us fans. We knew that if he worked on a movie, it was going to be worth going to see, on that fact alone. And he never disappointed. Just look at this filmography from that time. Friday the 13th, The Burning, Maniac, Prowler, and the list goes on and on. Over the years, fans idolized Savini because he even though he was a master in the special makeup effects world, he was also just like us… a fan.
Now we will get to read a little more in depth about this master of makeup effects, actor, director, and so much more, with the release of his biography, simply titled Savini.
Released by AM Ink Publishing, it will come out on Nov. 3rd, which just happens to be Savini’s 73rd birthday! There is a Limited First Edition Signed by Savini that is priced at $99.99. There is also a regular Limited First Edition that is $74.99. Or you can get it from Amazon priced at $59.99. It is 212 pages, and filled with over 400 images from Savini’s work and career. Truly a must for all horror fans. Our movie memories just wouldn’t be the same without Tom.
Directed by George Romero
Starring Hal Holbrook, Adrienne Barbeau, Fritz Weaver, Leslie Nielsen, Carrie Nye, E.G. Marshall, Viveca Lindfors, Ed Harris, Ted Danson, Stephen King, Warner Shook, Robert Harper, Elizabeth Regan, Gaylen Ross, Tom Atkins
One question that horror fans get asked a lot is “what’s your favorite horror movie?” I know a lot of fans do have a particular one that is their favorite. For me though, it really would be impossible for me to narrow it down to even 20, let alone a single one. But I do know that if such a list was ever conceived in my brain, somewhere near the top would be George Romero’s Creepshow. In fact, it is my favorite of all of Romero’s work, even above Night of the Living Dead. Maybe it was because I saw this in the theater at the time my obsession with the horror genre really started to explode. Maybe it was the great mixture of horror and humor. Or the way it blended the world of horror comic books that I read as a child into the movie world in such a beautiful way. Whatever reason it might be, or all of them, I have loved this film since I first witnessed it in the theater back in 1982, and I still love it just as much today.