The Brood (1979), Videodrome (1983), The Fly (1986). These are the three favorites of one of the most unique directors working today. If he didn’t create the term “body horror”, he sure did redefine it. Especially in those earlier films in his career, there was always something dwelling deep within the flesh, working its way out, through the blood and plus. Tune in and hear our thoughts on our three Cronenberg favorites and such fun topics like fly politics, literal handguns, and redefining what a messy divorce looks like.
Films mention in this episode:
Atrium (2018), Black Christmas (1974), The Brood (1979), Cigarette Burns (2005), Curtains (1983), The Dead are Alive! (1972), The Dead Zone (1983), The Exterminator (1980), The Fly (1986), Ghostbusters (1984), Invasion of the Body Snatchers (1978), Nightbreed (1990), Rabid (1977), Scanners (1981), Shivers (1975), Stripes (1982), The Thing (1982), Videodrome (1983), The Void (2016)
In a little less than 2 weeks, the Skyline Drive-In will be hosting their annual Super Monster Movie Fest. This year’s theme is Man Made Monsters and they have posted the final and complete list of titles that are scheduled to play. As always, they have one hell of a great lineup! Here’s is what will be playing:Continue reading →
I had been meaning to post about David Hedison’s passing, but now the news of Rutger Hauer has hit and it is a double dose of sadness.
David Hedison is one of those actors that only made a handful of genre appearances, but the ones that he did, definitely made an impact. Growing up watching a lot of TV, Voyage to the Bottom of the Sea was basically Star Trek but underwater, so it had my attention. Of course, then seeing The Fly (1958) would forever make me know who David Hedison is. Even though his face is covered through a good part of the film, he was still able to make you feel for his character. That is the power of a good actor, that they can only appear in a few things you’ve seen, but it still makes a lasting impression.
What has seemed like forever, the Skyline Drive-In in Shelbyville, IN has finally announced their lineup (well… most of it) for this year’s Super Monster Movie Fest. Earlier, they had mentioned the theme was going to be Man Made Monsters, which lead to a lot of guessing and speculation. But now, other than one more title on each night that is to be announced, we have our titles. And here they are:Continue reading →
The Fly (1958) Directed by Kurt Neuman Starring Al Hedison, Patricia Owens, Vincent Price, Herbert Marshall, Charles Herbert
In the world of fantastic cinema, the mad scientist theme is one of the oldest sub-genres. Right from the beginning, storytellers have been weaving cautionary tales of men meddling with things best left alone. For those who try to push or break through those boundaries, there is usually a hefty price to pay: their life, or at the very least, their sanity. Most of these stories present a man trying to take over the world through some devious plan or device that he has created, corrupted either by visions of power or the invention in question having scrambled his brain to where he is no longer thinking rationally. Within these films, the dramatic action revolves around stopping this demented genius before it is too late; the end-credits lesson for the audience being that man is better off leaving things as they are, lest this fate befall them as well.
Today, Mr. Cronenberg turns 72 years old. Not only has he created so many amazing films in his career, he also created one that I would have in my Top Ten Films. That would be his remake of The Fly.
Not only should Jeff Goldblum been nominated for Best Actor for his role, he should have won. But we know that is stuff of fairy tales. None the less, Goldblum’s performance in this tragic tale of discover, love, and lost, is really a piece of incredible art. Of course, major kudos to Chris Walas for creating the mind-blowing makeup effects as well. But it Goldblum that had to act through all of that makeup, and he did an amazing job there.
But Cronenberg made so many other great titles that are favorites of mine, such as Videodrome. What is your favorite of his work?