Day of the Living Me: Adventures of a Cult Filmmaker from the Golden Age
Self-Published, 2020. 192 pages
By Jeff Lieberman
I’ve always said that by reading more about a filmmaker, such as in a biography or even an autobiography, you will learn so much more about that person’s life and work, usually including a ton of information you didn’t know, which will undoubtedly make you see things in a different way. This book is another perfect example to prove that point. I knew of Lieberman’s work because I was always a big fan of Squirm (1976) and had the chance to meet him a couple of times at Cinema Wasteland over the years. I knew of his other films, such as Blue Sunshine (1977) and Just Before Dawn (1981), but figured that was about it. But reading through this recently published autobiography, not only did I learn much more about him, but he gives such a great insight into the world of filmmaking, from low-budget horror flicks, to working in Hollywood with some of the major players. Continue reading
If you’re looking for a gift for someone that is an avid book lover that also loves the horror genre, there are so many titles out there to choose from. And they just seem to keep coming out too! In fact, it’s really hard for me NOT to buy them for myself! Yes, having a library of horror reference books is not as cheap as it once was, but I’m not complaining. To be fair, I do not have copies of any of these yet. Key word… YET! But I know at some point, I’m going to have to kick my son out of the house so my library can take over his room!
If you know a big fan of Dario Argento, then I would highly recommend the latest book by Troy Howarth, Murder by Design: The Unsane Cinema of Dario Argento. If you’re not familiar with Howarth’s work, this would be a great place to start. I haven’t gotten my copy yet, but I have never been disappointed by his work, always making them not only very informative, but entertaining as well. This covers not only his work as director, but writer and producer as well. You’ll read about everything from his early work in westerns to his move into the director’s chair, giving us plenty of memorable films, from The Bird with the Crystal Plumage (1970) to Suspiria (1977) to Sleepless (2001). You read new interviews with Argento himself, along with daughter Fiore Argento, actress Sally Kirkland, Irene Miracle, composer Claudio Simonetti, cinematographer Luciano Tovoli. Continue reading