Greasepaint and Gore (2004)
Directed by Russell Wall
Tom Savini. Rick Baker. Rob Bottin. Steve Johnson. All of these names are pretty well known to most horror fans. What about Phil Leakey and Roy Ashton? I’m sure you’re familiar with the films put out by Hammer Studios throughout the 50’s to the 70’s, right? If so, then even if you might not know their names, you know the work of Leakey and Ashton. Continue reading
Born Nov. 10th, 1913 – Died Jan. 1979
Bowie was one of the men responsible for making Hammer Films, as well as plenty of other films, look as good as they did. While he did work on a varying type of special effects, he was mainly known for working on matte paintings and models. A lot of the shots in the films where you see a mountainous landscape was due to Bowie. The first film he worked on for Hammer was The Quatermass Xperiment (1955), where he created the title monster. But he also worked on some of their classics like Horror of Dracula (1958), Plague of the Zombies (1966), and many more films.
He also worked on the original Superman (1978) movie, where he would eventually win both an Oscar and a BAFTA for his work. Unfortunately, he passed away on the same night that the rest of the team that worked on the special effects for that movie had won. So he never knew.
Bowie’s work was one of those little things in the movie that might only be shown on screen for a few seconds, but really made an impact on the look of the movie. So that is the reason that he needs to be remembered for the hard work that he would go through, for very little money, for something that is only glimpsed at.
Born: Sept. 20th, 1925 – Died: July 12th, 2001
There are some composers that make a cinematic impact, just as much as an actor or director. James Bernard is one of them. The music he created for films, especially the ones he did for Hammer Films, became part of the movie’s unique look and feel. When the music started, you knew you were watching a Hammer picture, just from the sound of it. It was always able to grab your attention and never let go.
His score for Horror of Dracula (1958) will be remembered as one of the greatest opening titles ever known to fans of cinematic music. It is still as powerful today as it was then. But he also created music for films like Curse of Frankenstein (1957), The House of the Baskervilles (1959), The Plague of the Zombies (1966), as well as the first two Quatermass films.
Most composers are hidden figures in the movie world, with only a few making a name where film fans would actually recognize. When it comes to horror fans, Bernard’s name is right up there at the tope. Thankfully a lot of his work has been archived on CD so we can still enjoy it, as well as fans to come. Truly a great and talented man.
Yeah, I know this was all over Facebook yesterday, but damn if I’m not going to help spread the word a bit more! While I may be a huge Hammer fan, their 1966 film The Plague of the Zombies is one of my all time favorites of theirs. So I am more than thrilled to see this hit Blu-ray, thanks to Shout Factory!
This was Hammer’s only movie that dealt with zombies, though these are the voodoo type, not the flesh-eating type. Maybe because Romero didn’t unleash his until two years later. But this is a prime example of what Hammer did best. They had an great cast with two powerful leads, André Morell as Sir James Forbes and John Carson as Squire Hamilton. Morell is so much fun to watch, being so proper and the whole stiff upper lip, but yet still has a dark sense of humor. Carson, who plays the villain, was born to play this part. Whether it is his voice, which is very similar sounding to James Mason, or his evil stare, that can easily hide behind a smile. Of course, throw in Michael Ripper in a minor role, and it makes it even better!
One of my favorites from Hammer Studios is one of their 1966 “Cornish Horrors”, Plague of the Zombies, made back to back with The Reptile. From the incredible look of the zombies, to the bad-ass villain played by John Carson, to the straight-laced hero played by André Morell, it always delivers the goods, each and every time I watch it. Another one of the reasons is the rest of the stellar cast, including Jacqueline Peace, who plays the doomed Alice. Pearce’s performance gives the viewer such a feeling of dread because we all know what is going to happen to her and we can’t stop it. And then in The Reptile, she gives another performance to draw the audience in with her pathos.
In both of these films, not only did she have to create these characters and grab hold of the audience, she also had to endure quite some time in Roy Ashton’s makeup chair. But she not only played a couple of iconic Hammer characters, she caught the attention of many fans. So we are very sadden to hear of her recent passing.
Plague of the Zombies (1966)
Directed by John Gilling
Starring Andre Morell, John Carson, Diane Clare, Alex Davion, Jacqueline Pearce, Michael Ripper
In a small Cornish village, strange happenings are a foot! Some sort of deadly disease is creeping through the town and the local doctor is clueless as to what is the cause. He sends a letter of distress to Sir James, his former teacher, for assistance in this grave matter. Cutting short his vacation, Sir James travels to the village with his daughter to see if he can be of any assistance, but has no idea the evil deeds he is about to uncover there.
Now, before you get all excited and run out to this show, let’s cover a few things first. The prices on some of the items you’ll find run the spectrum. Some dealers will have a table full of one-sheets or stills with a big sign stating “$1 EACH”. Of course, you have to go through each and every stack because you never know if you’re going to come across a real gem in there! You just never know. I have to say from experience, after that first stack, your back is killing you and you start to wonder if it is even worth it! But $1 posters is hard to pass up.
On the other end of that, you have some dealers with items on the slightly high side. You have to remember that these are original pieces of film memorabilia, which can go for big bucks. Such as an insert for the 1951 film Them!, which had a price tag of $1000. Or even a lobby card for the 1957 film Curse of the Demon that was going for $650…just for the single card! There are posters and even the bigger 3-sheet kind of stuff, but those are so high that I don’t even ask. I’m not saying that these are overpriced, but those are the going rates. You need to be a dealer/collector with some serious cash to be playing in that field, one that I know I never will.