“All those moments will be lost in time, like tears in rain.”
The famous line above is from the ending of Ridley Scott’s Blade Runner (1982), from the replicant Roy Batty, played by Rutger Hauer, just moments before he stops functioning, or “dies”. This was a line that Hauer added without Scott’s knowledge and it not only stayed in the film, but has referenced quite a bit since then, as it is now. The reason I bring it up here is twofold. First and most obviously is because Hauer is one of the names listed below that we lost in 2019. But secondly, this line may be about Batty’s memories, but when it comes to movies, and fans like us, they never will be lost, but will live on for decades to come. For each new generation of film lovers, they will discover these “moments”, some becoming etched in their psyche, while some even changing their lives. Continue reading
On June 7th, the horror genre lost someone very important to the it, although most fans here in the states probably know very little of him. Narciso Ibáñez Serrador might not be a name most fans are familiar with, mainly because he didn’t produce a lot of work in the film genre, but what he did before that laid the grounds for the genre in Spain. According to author Antonio Lázaro-Reboll in his book Spanish Horror Film, “Narciso Ibáñez Serrador was the most culturally prominent image of horror in Spain in the late 1960s due to his horror-suspense TV series Historias para no dormir (Stories to Keep You Awake, 1966-67).”
He grew up in the theater where both his parents were involved in, where his father Ibáñez Menta adapted horror classics for the stage. His parents divorced when he only 12, he would eventually work with his father in the late ’50s creating a TV show for Argentina’s only TV channel, adapting the works of Poe and Robert Louis Stevenson, with his father acting in them while he wrote the episodes. This was called Obras maestras del terror (Masterworks of Horror). When he eventually came to Spain, he continued the work for television, cementing his reputation with the genre, even before making his first film. Continue reading
With the recent announcement from Scream Factory about some upcoming titles that will get blu-ray releases later this year, most of them being collector’s edition, there is a lot for us horror fans to be excited about. Willard is finally getting a legit release, as well as the film Dreamscape, and of course, how can you not be excited about more of Cronenberg’s films getting a special edition, right?
But there were a couple of titles listed that I think are getting lost in the shuffle and need a little bit more attention. The first one was last on the list, Dead of Winter, a 1987 film from director Arthur Penn, starring Mary Steenburgen and Roddy McDowall. I had first seen this film back when it first hit VHS back in the day and was blown away by it. It is a great little thriller that has an amazing score by Richard Einhorn. It’s a shame that we couldn’t get more than just a standard release for this, but at this point, I’m thrilled that it is coming out and hope newer fans take a chance on this one.