2021 Year End Review: Part 2 – Those We Have Lost, But Not Forgotten

As a movie fan, the older we get, the more names and faces we lose that have helped entertain us throughout our lives. Whether they are directors, actors, makeup artists, cinematographers, or set designers, they all helped create something magical to entertain us, whether it was scaring us, making us nervous or filled with anxiety, laugh, cry, or even enlightening us, making us want to be better people. For those brief moments of their work, we are forever grateful. Thankfully, most of those memories are permanently recorded and can be experienced time and time again, whenever we want, as well as them being there to do the same thing for newer audiences every single year. While we are bound lose such great talent through the passage of time, as movie fans, we can rest assured that we will help keep their memory, and their work, alive for decades to come.

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Marilyn Eastman – Rest in Peace

Best known for appearing in George Romero’s genre-starting film Night of the Living Dead, Marilyn Eastman was doing so much more than just appearing in it. Not only is she the zombie seen eating the bug off the tree, but she also handled some of the makeup, props, and so much more, like most others that worked on that low budget classic. While she only appeared in 2 other features, she will always be remembered as poor Helen Cooper, who meets the deadly end of a gardening trowel from her own daughter.

For as long as their are zombie fans, this little picture made outside of Pittsburgh by a bunch of friends will keep these hardworking people alive and well, no matter how long they have left us. Our thoughts go out to her friends and family during this difficult time.

Movie Review: Night of the Living Dead (1968)


Night of the Living Dead (1968)
Directed by George A. Romero
Starring Duane Jones, Judith O’Dea, Marilyn Eastman, Karl Hardman, Judith Ridley, Keith Wayne, Russ Streiner, Bill Hinzman, Kyra Schon

When talking about an important title in any film genre, the word “classic” is probably used more times that it really deserves. I’m probably just as guilty as the next guy on that. But this is definitely not one of those times. When you’re talking about a film that gave birth to a whole new sub-genre of horror films, or one that makes an impact on viewers now just as it did over five decades before, then it really does deserve the moniker of a “classic”. Continue reading