Hammer fans have lost another name from the studio we love so much. Suzanna Leigh, who appeared in The Lost Continent (1968) and Lust for a Vampire (1971), passed away yesterday at the age of 72.
The Lost Continent is a favorite of mine since it is just so damn crazy, but so much fun. We had the wonderful opportunity to meet her at a couple of conventions over the years and she was always such a sweet person to talk to. She had plenty of great stories to tell as well. Other genre titles she appeared in are The Deadly Bees (1966) and the cult film Son of Dracula (1974) with Ringo Starr and Harry Nilsson. But probably even scarier than any of those films was probably working with Klaus Kinski in the 1965 film The Pleasure Girls.
Oh yeah…and she worked with some guy named Elvis.
That is one of the real shames of being a fan of a studio that (realistically) stopped making films almost 30 years ago, that the stars that we loved to watch and follow are sadly slowly leaving us. But as I always say, we will always have their movies to remind us of their talent, and their work will continue to give audiences both old and new, entertainment for years to come. Gone, but never forgotten.
Our thoughts go out to her friends and family during this difficult time.
Born Dec. 2nd, 1927 – Died Aug. 19th, 2011
When discussing the Hammer family, Jimmy Sangster was there at the start of their rise, not to mention having a big part of it. He started with Hammer at the bottom, working his way up through the ranks, as second unit director, assistant director, production assistant, production manager, then finally into writer, producer and director. But while he may have held many different titles in the industry, it was as a writer where he made his real mark.
By the time that Hammer was going to do their version of Frankenstein, Sangster had worked on over 30 films as either Production Manager, or Second Unit Director or Assistant Director. He had written screenplays for one short film and one feature by then, both for Hammer. The short film was A Man on the Beach and the feature was X the Unknown (1956), sort of their version of The Blob (1958) even though that came out two years later! But he was given the task to write this new version of Shelley’s tale, but told to make sure he stays away from Universal’s version, in fear of getting sued for copyright infringement. He decided to focus more on the creator than the creation, which started Hammer toward their path to being know as The House of Horror!