Richard Klemensen has been putting out Little Shoppe of Horrors for 47 years. Let that sink in a minute. Close to a half a century. If that doesn’t show the passion this man has, for his love of Hammer Films, as well as other British horror films, to keep going this long I don’t know what else would. Not to mention that the information within the amazing artwork he always has for his front and back covers, is top-notch, filled with plenty of information and stories about these classic movies that we love. So why not continue to support these independent, old-fashion, print magazines, and help keep them alive, by ordering the newest issue of LSoH now!
What is in the new issue, you ask? Ever hear of Village of the Damned, starring George Sanders and Barbara Shelley? It’s one of the best of British horror cinema from that era and is the cover story of this new issue. With an amazing cover by Steve Karchin, you’ll get to learn all about the making of Village in the Anthony McKay’s essay. There is also an interview with Max Rosenberg, who was co-founders of Amicus Films, as well as part 1 of The Hammer Diaries of Christopher Wicking. Wicking wrote three films for Hammer and worked for them for almost three years, where he kept a diary when he was a Script Supervisor. So you’ll get to read all the insights of went on during the early ’70s as Hammer was struggling to stay afloat.
All this and all the usual great things that make this one of my favorite magazines and one that I pick up religiously. I’m still in the process of ordering all the back issues that came out before I started buying it with issue #8, back in…1984!!!
You can place your order now by heading over to their website HERE. Keep showing your support by ordering your copy now! Issue #42 will be shipping out May 6th.
The latest issue of THE best magazine out there dedicated to all things Hammer, Little Shoppe of Horrors, will be out next month. And if you’re a fan of those pesky dinosaurs, then you definitely are going to want to order issue #41.
This cover story is about Hammer’s return to the world of prehistoric creatures in When Dinosaurs Ruled the Earth (1970). This issue will feature “When Danforth Ruled the Earth – The Making of Hammer’s Second Dinosaur Epic” by Mark Wolf. It will also feature interviews with actors Victoria Vetri and Robin Hawdon, and 1st Assistant Director John Stoneman. There will also be articles on some of Hammer’s unmade films, and interview with Pauline Peart from The Satanic Rites of Dracula, as well as all the other great stuff that is always found within these pages. With an amazing front cover by Jeff Preston, why wouldn’t you want to add this to your reading list?
You can pre-order your copy now, as well as all the back issues, by just heading over to their website HERE.
The latest issue of this best magazine devoted to Hammer Films, Little Shoppe of Horrors, will be releasing issue # 40 this month. The main theme for the issue is Quatermass and the Pit (1967) which will have a 26 page making of by Bruce G. Hallenbeck, one of the best Hammer authorities and writers around! There will also be an unpublished interview from the early ’70s with Rudolph Cartier, who was the man behind the original BBC Quatermass series, by Chris Knight. You will even get to hear from John Carpenter talk about the importance of Hammer, as well as Prof. Quatermass.
This is simply the best magazine out there covering Hammer Studios, not to mention the longest running. And there is a reason for that. The quality of work that goes into each issue, from the research and writing, to the wonderful illustrations, it doesn’t take long to realize that this is a work of passion and love for those involved. A fan of Hammer Studios can learn so much about this amazing studio and the people that worked there by reading through each and every issue. I know I do!
And now, issue # 39 is available to order!
The cover story for this issue is one of the last Hammer horror titles made: To the Devil…A Daughter! Author David Taylor has the complete story of how this film came to be. There is also an interview with the young star of the film, Nastassja Kinski as well!
Other features in this issue include an article on Peter Sallis, a brilliant character actor that appeared not only in several Hammer titles, but also was the voice of lovable Wallance in the Aardman animated Wallace and Gromit series. There is some coverage on Hammer’s space western, Moon Zero Two, which has a making-of article by Hammer scholar Bruce G. Hallenbeck, as well as an interview with actress Catherine Schell, as well as a piece on Mike Tilley, who worked for special effects artist Les Bowie on the film. Plus the usual great tidbits in every LSoH issue.
You can order your copy now by going to their website HERE.
While wandering through the dealer room on Saturday before the show opened, I came upon an art print that blew me away. It was a collage of all the different creatures/monsters that were created by low budget monster maker Paul Blaisdell, which even included a couple of images of Blaisdell himself. If you’re not familiar with highly underrated talent then you have some homework to do! He created a bunch of different creatures for the low budget AIP features back in the ’50s, with very little time and money. But he always came up with some interesting monsters and aliens, like we’ve never seen before. He worked on titles like It Conquered the World, Invasion of the Saucer Men, The She-Creature, and a few more. So to see him and his work highlighted in this beautiful piece of art made my heart swell. I can now proudly say that it is now framed and hanging in my office. The artist is Scott Jackson and has been doing this kind of work for quite some time. He had some other great prints for sale, including a stunning one from The Picture of Dorian Gray, with him standing in front of is decayed portrait. Definitely will be picking that one up from him in the future. You can check out his work at his site HERE.
This year’s Monster Bash, held once again in Mars, PA, was their 20th Anniversary show. I can’t express how sad I am that I had only started coming to this show a few years ago. For years, I put some serious thought into setting up as a vendor there, but I always talked myself out of it because of the distance being too far and if it would really be worth it. Now, with this show becoming one of my favorite stops on our Kryptic World Tour, I realize just how I wrong I was.
This time out, I would be making the 500 mile journey to the show on my own, since my wife Dawn is taking care of her father. It sucks having to do the show alone, but there are certain things in life that are way more important, and family is one of them. It’s only a couple of hours past where we go for Wasteland, so it should be that bad. Though, looking at the weather in the area for that Friday, it was calling for rain…all…day…long! I’ve never had to unload for a show in the rain and was not looking forward to it. I decided to leave after work on Thursday, drive to Cleveland area and then stop for a few hours of sleep, then drive the last couple of hours the next morning to be there by 8am for set up.
Growing up in the early ’70s, the small town I lived didn’t have it’s own movie theater, so I had to get my beginning monster education from the TV. From shows like Night Gallery, Kolchak: The Night Stalker, to plenty of made-for-TV movies around that time that were horror themed, it was everything a young horror fan could ask for. And I loved them all. But there was one show which was shown over two nights in 1973 that stuck in my mind for decades. It was Jack Smight’s 1973 film Frankenstein: The True Story, starring a wide array of actors such as James Mason, Leonard Whiting, David McCallum, Jane Seymour, Agnes Moorehead, Ralph Richardson, John Gielgud, and Tom Baker.
At the time, I had no idea just how far away the “true” part really was, but when I was a 8-year old boy, all I knew was that it was mind-blowing. I can vividly remember watching this with my slightly older brother, amazed at some of the gore on screen, and anxiously waiting for part 2 to take place the two nights later. Years later, after finally being able to track down the full unedited edition, I could re-visit this great tale, which I did multiple times. Even after being more educated about the “true story”, I still consider this a favorite. And now, thanks to Little Shoppe of Horrors, I will once again be able to dive into this wonderful production.