Edgar Allan Poe Suite / Cry of the Banshee / Horror Express
Released by Citadel
14 Tracks, with a total running time of 61:58 min.
Composed & Conducted by Les Baxter and John Cacavas
This release is a real gem and a treat for horror fans. First it has the music from a series of four different one-man stage plays starring Vincent Price, each based on a story from Poe: The Pit and the Pendulum, The Sphinx, The Cask of Amontilado, and The Tell-Tale Heart. Then it also has a suite from Cry of the Banshee that is almost 20 minutes long. These were both composed by Les Baxter, who did a lot of work for AIP and their Corman/Poe series. Then we also have the score for Horror Express by John Cacavas. Continue reading →
House of Usher
Released by Intrada
15 tracks with a total running time of 1:02:39 min.
Music composed and conducted by Les Baxter
Les Baxter has made so many great scores to so many great movies, it really hard to comprehend. Just look at all the work he did for Roger Corman and AIP alone, not to mention all the other genre titles he scored, and see that it is very impressive. There were quite a few Italian pictures that AIP acquired for US distribution that Baxter was hired to re-score. So if you’re a fan of AIP and Corman’s work, then you’ve heard his work… several times I would guess. Continue reading →
Born March 14th, 1922 – Died January. 15th, 1996
Baxter was a composer that started in the film business in the early ’50s cranking out score after score in record time. In his career, he has score more than 120 films, with 15 titles in 1957 alone! He worked in many different genres, but for us horror fans, we remember him from his work that he did for AIP, especially the Roger Corman / Edgar Allan Poe films. He also re-scored a lot of foreign films that were being picked up and released here in the states, such as Mario Bava’s Black Sunday (1960) and Black Sabbath (1963), or even titles like Reptilicus (1961)
Baxter started his musical career at a very young age, learning the piano at the age of 5. In his early 20’s, he joined Mel Torme’s band, worked on radio shows including Bob Hope’s show, and even had a hit record in the 50’s.
But it is for his film scores that I learned of his name. Since these movies will always live on for fans like us, so will his music. Baxter always gave us something different and unique that always highlighted the film even more.