John Steiner – Rest in Peace

John Steiner is another name that most might not know, but if you’re a fan of Italian cinema, then you will know his work. With a man close to 100 credits to his name in less than 25 years is pretty impressive. But also add the fact that he worked with many talented people and directors, including 4 iconic names in the Italian film industry. He worked with Lucio Fulci several times, in the early ’70s, such as in both of the White Fang films, Mario Bava in his last film, Shock (1977), Dario Argento’s Tenebrae (1982), and Ruggero Deodato’s Cut and Run (1984). Hell, he was even the main bad guy in Yor: Hunter from the Future (1983)!!! Needless to say, he is in a lot of our favorite films.

Unfortunately, it was reported that Steiner died in a car accident on Sunday, July 31st. As the years go by, the longer you have been a fan of cinema, we see more and more leave this part of their journey. But because we are fans, we know that because of their film legacy, they will live on and on, each time we bust out one of their titles. So now is the time to do just that. Break out Tenebrae or even Yor, sit back and enjoy Steiner’s work with a smile and remember.

Our thoughts go out to his friends and family during this difficult time.

Movie Review: Tenebre (1982)

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Tenebre (1982)
Directed by Dario Argento
Starring Anthony Franciosa, John Saxon, Daria Nicolodi, Veronica Lario, John Steiner, Giuliano Gemma, Christian Borromeo

Every humiliation which stood in his way could be swept
aside by the simple act of annihilation: Murder

In the early ’80s, after spending several years with the first two films in his Three Mothers Trilogy, Suspiria (1977) and Inferno (1980), something happened to Argento while in Los Angeles that gave him the idea for what would be his next picture. He started to receive some strange phone calls from a ‘fan’ who wanted to discuss his work with him. With each call, they became more and more distressing to Argento, especially when this person said he wanted to kill him. After leaving LA, Argento started to really think about that concept of murder. Shortly after, he was quoted saying  “To kill for nothing – that is the horror of today. If you kill for money or to achieve a goal, I can understand that, even if I can’t condone it. But when that gesture has no meaning then it is more repugnant than ever.”

So the genesis of Tenebre started.

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