How to make the beginning of the week better? Easy. Hearing a slew of great titles announced from Scream Factory that will be hitting Blu-ray last this fall!
Of course, anytime a Hammer title is release, there should be much rejoicing! No matter the title, to have these in a nice Blu-ray edition, with the blazing colors and clarity, it will be great to see these titles looking their best. Being release on Sept. 10th is Scars of Dracula (1970) starring Christopher Lee and Blood from the Mummy’s Tomb (1972) starring the stunning Valerie Leon! I know these titles don’t have a lot of fans, compared to maybe Hammer’s earlier titles, but they are still fun and entertaining.
One more thing we can look forward to in 2019 is the continuing proof that print is definitely not dead. Sorry folks, but not even close. Granted, my bank account very well could be, but there are more than a few books coming out this year that I know will be must additions to my library. Not sure where I’m going to be putting them when they do arrive, or when I’ll get around to reading them…
FAB Press announced that they will be publishing the English language edition of Dario Argento’s autobiography, simply called Fear. That is the only details FAB released but since I hadn’t even heard that he was even writing an autobiography (that was actually published in 2014…thanks Troy!), I am more than a little excited about hearing his stories, right from him. I can only imagine the insights and stories we’re going to hear right from the man responsible for so many incredible pieces of cinema.
Add this to the fact that Troy Howarth’s new book, Murder By Design: The Unsane Cinema of Dario Argento, will be out in 2020, that means we’ll have a few more Argento books for the library shelves. Maybe we’ll even get to see Volume 3 in Howarth’s So Deadly, So Perverse giallo series. Positive thoughts, my fellow book fiends.
Scored to Death: Conversations with some of Horror’s Greatest Composers
Published by Silman-James Press, 2016. 356 pages.
By J. Blake Fichera
There is something to be said about film scores, something that I think most don’t know, don’t recognize, or even worse, don’t even think about. And that is the effect they have on the viewer. Sometimes a very powerful effect. The first time I can remember a film score having an effect on me was John Williams’ score for Jaws (1975), which I’m sure I wasn’t the only one. While it did bring up the tension and scare factor, I don’t think I made the full connection between the music and emotion it caused. That changed when Star Wars (1977) came out. Then it hit me how powerful of an impact a score can make. Star Wars was the first soundtrack I every purchased and I listened to it over and over. Each time, I could visualize the different parts of the film in my head and it would give me the same emotional reaction as if I was watching the film. It was at that point, I started to become more aware of a film score.
Horror in Space
Published by McFarland, 2018. 248 pages.
Edited by Michele Brittany
The book’s subtitle is “Critical Essays on a Film Subgenre” and boy howdy, it sure is. If you’re looking for an easy read, one that might bring up some easy but not-too-deep thinking ideas about these movies that we love, then you might want to look for another book. When you have the words “Critical Essays” in the book’s title, that is a big hint at the kind of writing that you’ll find within those pages. The collection of authors that have been gathered here for this volume are all very intelligent scholars, from sociology teachers, doctoral candidates, to professors, so they know their stuff. So please don’t let my comments about their opinions and theories seem like I’m trying to say they are uneducated. That is not the point I’m trying to make.
Like a lot of these theory essay books, I’d make a guess that some of these are from a collage thesis or part of a future book. But I still stand by my own theory that sometimes a duck is just a duck. I know there are some films where the creators are weaving different subtext within the story, such as any version of Invasion of the Body Snatchers. But I feel a lot of these scholars take a subject matter and form into something that then fits a particular movie or sub-genre.
Next weekend we will be heading out the Midway Drive-In for their annual Dust-to-Dawn Horrorfest, and this year they have one hell of a lineup. Then again, they always do! This year’s lineup consists of the following titles:
- The Thing (1982) – John Carpenter’s incredible remake that has never lost its impact!
- The Blob (1988) – Chuck Russell & Frank Darabont’s excellent remake of this great classic, and one that still holds up.
- The Funhouse (1981) – One of Tobe Hooper’s lesser known films but that is a great chapter to his long career.
- Hollywood Chainsaw Hookers (1988) – With a title like that, can you tell it was directed by Fred Olen Ray? Starring Linnea Quigley, Michelle Bauer, and Leatherface himself, Gunnar Hansen. As the ads say, “They Charge an Arm and a Leg!”
Mark your calendars! September 22nd is the day for this year’s Dusk-to-Dawn Horrorfest at the Midway Drive-In, in Dixon, IL. If you haven’t ever experienced an all night horror movie marathon at a drive-in theater, then now is your chance.
The latest issue of this best magazine devoted to Hammer Films, Little Shoppe of Horrors, will be releasing issue # 40 this month. The main theme for the issue is Quatermass and the Pit (1967) which will have a 26 page making of by Bruce G. Hallenbeck, one of the best Hammer authorities and writers around! There will also be an unpublished interview from the early ’70s with Rudolph Cartier, who was the man behind the original BBC Quatermass series, by Chris Knight. You will even get to hear from John Carpenter talk about the importance of Hammer, as well as Prof. Quatermass.