Next weekend we will be heading out the Midway Drive-In for their annual Dust-to-Dawn Horrorfest, and this year they have one hell of a lineup. Then again, they always do! This year’s lineup consists of the following titles:
- The Thing (1982) – John Carpenter’s incredible remake that has never lost its impact!
- The Blob (1988) – Chuck Russell & Frank Darabont’s excellent remake of this great classic, and one that still holds up.
- The Funhouse (1981) – One of Tobe Hooper’s lesser known films but that is a great chapter to his long career.
- Hollywood Chainsaw Hookers (1988) – With a title like that, can you tell it was directed by Fred Olen Ray? Starring Linnea Quigley, Michelle Bauer, and Leatherface himself, Gunnar Hansen. As the ads say, “They Charge an Arm and a Leg!”
Mark your calendars! September 22nd is the day for this year’s Dusk-to-Dawn Horrorfest at the Midway Drive-In, in Dixon, IL. If you haven’t ever experienced an all night horror movie marathon at a drive-in theater, then now is your chance.
The latest issue of this best magazine devoted to Hammer Films, Little Shoppe of Horrors, will be releasing issue # 40 this month. The main theme for the issue is Quatermass and the Pit (1967) which will have a 26 page making of by Bruce G. Hallenbeck, one of the best Hammer authorities and writers around! There will also be an unpublished interview from the early ’70s with Rudolph Cartier, who was the man behind the original BBC Quatermass series, by Chris Knight. You will even get to hear from John Carpenter talk about the importance of Hammer, as well as Prof. Quatermass.
Released by Varèse Sarabande
18 Tracks with a Total Running Time of 34 min.
Original Music by John Carpenter in Association with Alan Howarth
Another classic soundtrack from Carpenter and Howarth. I don’t know how Carpenter continued to do it all those years ago, coming up with a score that was so simple and never over-the-top or intricate, but almost made them damn effective. And the score for Christine is no different.
Using just a keyboard, they once again create such an eerie score, building tension and atmosphere that some couldn’t do with a full orchestra. Even on a track like #5 Discovery, it is slow with on a few notes but is still able to make in impact, not to mention what it adds to the actual film. When you get to tracks like Moochie’s Death, we get a lot of suspense through the beating pulse along with a little melody in the background, with a few stingers here and there. Highly effective.
At the end of this month, Varèse Sarabande is releasing this on vinyl, with brand new art from Gary Pullin.
Chicago’s first and foremost 24-hour marathon is back again this year for another fun-filled, terror-packed deluge of demented cinematic treasures! This year’s event will be taking place from noon on Saturday, Oct. 7th to the following noon on Sunday.
What do they have in store for you this time? Well, more details will be coming soon, and trust me, you won’t be disappointed. But so far, they have announced that they will be screening John Carpenter’s highly underrated, Lovecraftian tale, In the Mouth of Madness (1994), a rare screening from the only surviving 16mm print of Rusty Cundieff’s Tales from the Hood (1995), and one of the THE best Christmas horror movies ever filmed, Rare Exports: A Christmas Tale (2010).
Released by Silva Screen Records
34 Tracks, with a running time of 109 min.
Composed and performed by John Carpenter
Released by Headquarters Music, 2016
18 tracks with a total running time of 61 min.
Music by The Gifted