Soundtrack Review: Absurd

Rosso Sangue CDAbsurd aka Rosso Sangue (1981)
Released by Severin Films, 2018
Music by Carlo Maria Cordio
23 Tracks with a Total Running Time of 69 min.

The movie this score is from has been called more than a few names in its history, from Monster Hunte, Anthropophagus II, to Horrible, to the title it has been recently released here in the states under, simply Absurd. The original title of the film is Rosso Sangue and was directed by the one and only Joe D’Amato, with George Eastman in the lead role, as well as writing the film. Plenty of gore and a nonsensical plot, it is a fun ride for those fans of European cult cinema. But this soundtrack, by Carlo Maria Cordio is way better than it has any right to be, especially when it is for a film like Absurd! If fact, if you are a fan of Goblin then you will pretty much enjoy this score since Cordio follows the same musical path. Call it ripping off, homage, paying tribute, or whatever you want to, but it is still a great score. Continue reading

What a Time to be Alive!

antropophagus

Twenty years ago, when us deviant fans of European horror films that were near impossible to find over here in the states, you were lucky as hell when you were able to find a 5th generation copy of Joe D’Amato’s notorious 1980 film Anthropophagous, and even more so if it had the famous fetus eating scene intact. Sounds demented, I know. But when you’re trying to find the a version that was completely uncut, if that scene was in there, you knew you had a big score on your hands.

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Movie Review: Death Smiles on a Murderer (1973)

 

Death Smiles 4

Death Smiles on a Murderer (1973)
Directed by Joe D’Amato
Starring Ewa Aulin, Klaus Kinski, Angela Bo, Sergio Doria, Attilio Dottesio, Luciano Rossi

Italian icon Aristide Massaccesi, used so many different pseudonyms throughout his career, it’s tough to keep track of them. But the one name that he is most commonly known under is Joe D’Amato. This film here is his first real horror film as director, as well as co-writing it and being the cinematographer. It really does show his style, because he usually didn’t go for anything really flashy or outrageous, but still packed a punch.

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