I once again went beyond my goal of reading at least book a month this year, devouring a total of 15 titles. I seem to be on a trend because I’ve done that for the last 2 years. Granted, even at this rate, I still won’t get through every title I have, and that’s even if I stopped adding more titles to the library. And we all know that isn’t going to happen! But that doesn’t mean I’m not going to try! Out of those 15 titles, here are the top 5 that I would recommend the most, listed alphabetically, even though I have a little adder at the bottom. If you want to read more detail about these titles, as well as the other ones I read, click on the link for Horror Reference Book Reviews on the menu to the right.
Scored to Death: Conversations with some of Horror’s Greatest Composers
Published by Silman-James Press, 2016. 356 pages.
By J. Blake Fichera
There is something to be said about film scores, something that I think most don’t know, don’t recognize, or even worse, don’t even think about. And that is the effect they have on the viewer. Sometimes a very powerful effect. The first time I can remember a film score having an effect on me was John Williams’ score for Jaws (1975), which I’m sure I wasn’t the only one. While it did bring up the tension and scare factor, I don’t think I made the full connection between the music and emotion it caused. That changed when Star Wars (1977) came out. Then it hit me how powerful of an impact a score can make. Star Wars was the first soundtrack I every purchased and I listened to it over and over. Each time, I could visualize the different parts of the film in my head and it would give me the same emotional reaction as if I was watching the film. It was at that point, I started to become more aware of a film score.