Intrada Goes to The Funhouse

Tobe Hooper’s 1981flick The Funhouse was a nice combination between a slasher film and a monster movie and pretty entertaining. The score from John Beal, was originally released in a version that only ran 38 minutes. But now, thanks to Intrada, we’re getting the complete score, along with another half hour of extras and alternate musical tracks, all remastered from the 24-track session tapes!

The total running time for this release is over 77 minutes, which is going to make any fan of this movie and it’s score very happy. Priced at $21.99, you can order your copy either directly from Intrada HERE or from Screen Archives Entertainment HERE, which is where I usually get my soundtracks from. They have a huge selection and good prices.

Silver Bullet Soundtrack Arrives!

Jay Chattaway’s score for the 1985 film Silver Bullet, an adaptation of Stephen King’s 1983 novella Cycle of the Werewolf, is finally coming to CD, in a much longer edition than before. Originally, it was released on LB and CD, but just over 30 minutes of music, just highlights. But now, Intrada has taken the original session masters from the Paramount vaults, reassembled and sequenced them in the order of the film, and now runs close to an hour.

Priced at $21.99, which a bit pricy, but I’ve already ordered mine. Not only am I a sucker for soundtracks, I’m also a big fan of Chattaway’s scores, especially the one he did for Maniac (1980), plus, I do remember this being a fun little flick.

You can order it directly from Intrada HERE, or head over to Screen Archives HERE, which is where I tend to get a LOT of my soundtracks from.

Soundtrack Review: Salem’s Lot

Salem’s Lot
Released by Intrada, 2013
84 Tracks, with a total running time of 99:53 min.
Music Composed and Conducted by Harry Sukman

If you’re one that grew up in the ‘70s, then you remember the made-for-TV movies back then were sometimes more entertaining than what was screening at the theaters! At least they were to me. One of the things that always enjoyed for those films were the scores. They just had this same feel and style to them that were easy to recognize, as well as being very effective. Thankfully, we now have the complete score for one of the best made-for-tv movies ever to be made. And one of the reasons for that is the incredibly creepy!

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Sleepy Hollow Soundtrack 4-Disc Release!

Back in 1999, the score for Tim Burton’s Sleepy Hollow, by the one and only Danny Elfman, was released by Hollywood Records. It features a 65-minute score that featured MOST of what was in the film. But now, thanks to Intrada, they are releasing a 4-disc set of this soundtrack! That’s right … 4 discs!

The first disc is the original release from Hollywood Records, with the 65-minute score. Discs 2 & 3 will have the complete 95-minute score, featuring every single note in the film! Then the 4th disc will have over an hour of original and alternate cues, tracks, and versions that were not used in the final score. Some pieces are quite different than what was eventually used.

If you’re a fan of this score, the movie, Danny Elfman, or Tim Burton, then this really is a must buy. Priced at $39.99, it will start shipping at the end of this month. For more information, just click HERE.

Dial M for Murder Soundtrack!

Dial M for MurderFans of classic Hitchcock and soundtracks will be thrilled to hear that the score for his 1954 thriller, that has been painstakingly re-recorded under the direction of William Stromberg, recorded in Glasgow’s new state-of-the-art recording venue. They wanted to make sure that with this new recording, they were able to make it feel like Dimitri Tiomkin’s original.

This release also includes both used and unused “intermission cards” for the 3-D presentations, an alternate main title, as well as unused arrangements. With 15 tracks and a total running time of 65 minutes, I think this a must for any Hitchcock fans, as well as composer Tiomkin. You can get it directly from Intrada (click HERE) or from Screen Archives Entertainment (click HERE). 

Soundtrack Review: House of Usher

houseofushercdHouse of Usher
Released by Intrada
15 tracks with a total running time of 1:02:39 min.
Music composed and conducted by Les Baxter

Les Baxter has made so many great scores to so many great movies, it really hard to comprehend. Just look at all the work he did for Roger Corman and AIP alone, not to mention all the other genre titles he scored, and see that it is very impressive. There were quite a few Italian pictures that AIP acquired for US distribution that Baxter was hired to re-score. So if you’re a fan of AIP and Corman’s work, then you’ve heard his work… several times I would guess. Continue reading

Soundtrack Review: Crawlspace

Released by Intrada
16 Tracks with a total running time of 35:54 min.
Music by Pino Donaggio

This movie has been a favorite of mine ever since my first viewing, being just blown away not only by Kinski’s underplayed psychotic performance (at least on the screen), but also the pretty deep terror that is hidden underneath the layers. So when we got this soundtrack and started to play it, images from the film immediately came to mind. Donaggio created such a unique but very familiar sound with the “Main Title” theme, mainly with the use of the keyboard. But what really makes an impact with the score is the opening track, “Falling From Grace With The World”, which comes into play several times throughout the score. Pretty haunting, really. Continue reading

Soundtrack Review: Die Sister, Die!



Die Sister, Die!
Released by Intrada
15 Tracks with a total running time of 50:44 min.
Music composed by Hugo Friedhofer

It never ceases to amaze me at some of the titles that not only get released on DVD these days, but even more so when the soundtrack for an obscure horror flick from the early ’70s gets a release! Intrada has done an amazing thing in acquiring and releasing this entertaining score from Oscar winning composer Friedhofer. Just try finding this title in a film guide! Friedhofer had been composing music for film since the ’20s, really only working in the horror genre a couple of times. He did score the 1944 version of The Lodger, as well as William Castle’s Homicidal (1961). But he had been nominated for an Oscar 8 times in his career, winning once for the 1946 film The Best Years of Our Lives (1946). He only worked on Die as a favor to the director.

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