Here’s a name that is one of the icons of acting, not to mention in the horror genre. Sure, most remember him from all the cheesy and low-budget titles that he appeared in, especially in his later years, but he was always delivering a fine performance. I mean, think about that for a minute. He appeared in Ted V. Mikels Astro Zombies, which I happen to love, and learned all this technical dialogue for his role of the mad doctor, and gave the performance if he was doing Shakespeare.Continue reading
There is something to be said about seeing the old Universal classic monster films on the big screen. As many times as we’ve seen them on our TVs, it still doesn’t have the same impact of seeing them projected on a huge screen, inside a theater with a bunch of like minded film fans. There really is something magical about it and is something that every fan of these wonderful films should have the chance to experience that way. Well, if you’re anywhere near Canton, Ohio in October, then you will have the chance to do just that.
Erle C. Kenton
Born Aug. 1st, 1896 – Died Jan. 28th, 1980
While Kenton didn’t make but 4 horror movies in his career, the ones he did do are pretty important. He started as an actor, but took any job in the industry to learn as much as he could. Then in 1919, he got to direct his first picture. In his career, he directed 131 films, sometimes making over 10 pictures a year. In 1924, he directed a total of 15 films. Pretty funny when you compare it to today’s working directors and how often they turn out films.
Kenton was mainly known for directing comedies, even doing a couple for Abbott & Costello. But his first entry in the horror genre was in 1932, which is probably his best, the classic Island of Lost Souls (though author H.G. Wells would probably argue that point). Kind of strange that a man known for comedies could turn out a dark film like this one. Sure, some say that Laughton’s over-acting makes it a dark comedy, though I’ve always found this film pretty disturbing and quite effective.
His remaining efforts might not be as good, but are not only entertaining, but staples in the genre. With The Ghost of Frankenstein (1942), House of Frankenstein (1944), and House of Dracula (1945), he helped continue the Universal monster series with some entertaining films. Sure, they weren’t the same classics that James Whale had turned out, but us monster kids just ate them up. And even today, as dated as they might be, I still find them pretty entertaining, as do many other classic monster fans.