Coming to Blu-ray for the first time in the U.S., Warner Archives has announced a new 2-disc special edition of Hammer’s The Curse of Frankenstein, the movie that really put the Studio that Dripped Blood on the map. This new release will contain 75 minutes of new documentary work, audio commentary by Screenwriter/Film Historian Steve Haberman and Filmmaker/Film Historian Constantine Nasr. You’ll get to hear from some of Hammer’s best scholars, such as Richard Klemensen discussing the history of the film, cinematographer and producer David J. Miller discussing Hammer’s underrated cameraman Jack Asher, as well as hearing from Christopher Frayling, Christopher Drake, and so much more.
The disc will contain a 1080p HD Restoration Masters from 4K scans of Preservation Separation Elements, but also a newly re-mastered 1.37:1 open-matte version as well. Continue reading
Born Feb. 10th, 1926 – Died April 15th, 2008
While the gorgeous Hazel Court really got horror fan’s attention when she starred opposite of Peter Cushing in Hammer’s Curse of Frankenstein (1957), she had already appeared in couple of horror titles, such as Ghost Ship (1952) and Devil Girl from Mars (1954). But it was Curse that made her known as an early Scream Queen.
She would appear in Hammer’s The Man Who Could Cheat Death in 1959, in the underrated film Doctor Blood’s Coffin in 1961, before hitting it big with Roger Corman fans in three of his Poe films, Premature Burial (1962), The Raven (1963), and The Masque of the Red Death (1964), where she got to work with other horror icons like Boris Karloff, Vincent Price, and Peter Lorre.
Not only very appealing to the eyes, Court was a fine actress that could play the villainess just as easily as the heroine. In 2008, she released her autobiography entitled Hazel Court: Horror Queen.
Greasepaint and Gore (2004)
Directed by Russell Wall
Tom Savini. Rick Baker. Rob Bottin. Steve Johnson. All of these names are pretty well known to most horror fans. What about Phil Leakey and Roy Ashton? I’m sure you’re familiar with the films put out by Hammer Studios throughout the 50’s to the 70’s, right? If so, then even if you might not know their names, you know the work of Leakey and Ashton. Continue reading