Fans of Hammer and their Frankenstein series now have the chance to order an incredible volume for their library. Peveril Publishing just announced that this volume is now ready for orders. If you own one of their Dracula Scrapbook editions, then you know the kind of quality put into these. Simply stunning.
This hardcover volume is 344 pages, color throughout, is filled with stills, script pages, schedules and call sheets, press books, press reviews, set design notes, contracts, and so much more. It is like walking back in time, with so much information and little tidbits of nostalgia for Hammer fans. Kinsey and Peveril always do an exceptional job on their books and each one of them is a glorious piece of work. They are so cool just to page through and look at all the history laid out within the pages.
Keep in mind that there are only 700 copies of this book and that their Dracula edition sold out in 5 weeks, so don’t wait too long. And while these volumes are a bit pricy, keep in mind that their value will only go up. You can see the Dracula Scrapbook on ebay for close to $250 now.
To order your copy now, head over to their website HERE.
One of the things that made Hammer Films stand out was their music. Yes, we had the boobs, blood, and beasts, not to mention an array of incredibly talented actors and technicians that worked on them, but the amazing soundtrack coming through the speakers made the impact even deeper. How can you not hear the blasting opening cues of James Bernard’s score for Horror of Dracula and not immediately get into the mood for some horror! Or even Harry Robinson’s march for the opening of Twins of Evil? Makes you want to grab your cross and stakes and go hunt some vampires! That is the beauty of the music that Hammer layered throughout their films. And now, thanks to the fine folks of Silva Screen Records, you can have a taste of themes from 18 different films, that range from 1957 to 1974.
This is a name that might not be too familiar, but if you’re a Hammer fan, then you’ll know the face. Farmer appeared in several titles from Hammer, including two of their swashbuckling movies, The Crimson Blade (1963) and The Devil-Ship Pirates (1964). But it was mainly for her role in Dracula, Prince of Darkness when horror fans took note. She followed that film up immediately with Rasputin: The Mad Monk, once again coming up against the sizeable Christopher Lee. Another non-Hammer picture that she made that I remember fondly is Die, Monster, Die! (1965), starring alongside Boris Karloff. This was one that I saw in my youth and really made an impact with me. While she might not have been as glamorous or as known as some of the other Hammer starlets, her performances always stood out and are very memorable.
She passed away on Sept. 17th. Our thoughts go out to her friends and family. Thankfully, like all of our movie heroes and heroines, they will live on for fans of their films, especially for Hammer fans!
Silva Screen is releasing a greatest hits so to speak of some Hammer Horror themes that helped make these films so memorable. While all of these have been released before in two different collections, entitled The Hammer Film Music Collections, Vol. 1 & 2, those might be a little tough to come across these days, or at least without paying a pretty pound. But these new release, called Hammer Horror – Classic Themes (1958-1974), is a collection of themes from 18 of their titles, such as Captain Kronos to Countess Dracula to The Devil Rides Out. Below is the complete listing of the themes and their composers. The CD is only $15.95. You can pre-order your copy HERE.
I must have missed when they mentioned this on their Facebook page, but Peveril Publishing is putting the finishing touches on their latest book, The Hammer Frankenstein Scrapbook. Just like their previous Dracula edition, it will cover all of the Frankenstein pictures that Hammer did from The Curse of Frankenstein in 1957 to Frankenstein and the Monster from Hell in 1974 and all the gooey bits in between!
Like all of the titles coming from Peveril, this book with be filled with wonderful images, both in color and black and white, and a ton of information about the films and the people behind him. These titles are a bit pricy, especially getting them shipped to here in the states, but they are more than worth every single penny. They are just beautiful editions and are a sound investment as well. They are hoping to have the book out by October or November of this year.
Plague of the Zombies (1966)
Directed by John Gilling
Starring Andre Morell, John Carson, Diane Clare, Alex Davion, Jacqueline Pearce, Michael Ripper
In a small Cornish village, strange happenings are a foot! Some sort of deadly disease is creeping through the town and the local doctor is clueless as to what is the cause. He sends a letter of distress to Sir James, his former teacher, for assistance in this grave matter. Cutting short his vacation, Sir James travels to the village with his daughter to see if he can be of any assistance, but has no idea the evil deeds he is about to uncover there.
Born Dec. 2nd, 1927 – Died Aug. 19th, 2011
When discussing the Hammer family, Jimmy Sangster was there at the start of their rise, not to mention having a big part of it. He started with Hammer at the bottom, working his way up through the ranks, as second unit director, assistant director, production assistant, production manager, then finally into writer, producer and director. But while he may have held many different titles in the industry, it was as a writer where he made his real mark.
By the time that Hammer was going to do their version of Frankenstein, Sangster had worked on over 30 films as either Production Manager, or Second Unit Director or Assistant Director. He had written screenplays for one short film and one feature by then, both for Hammer. The short film was A Man on the Beach and the feature was X the Unknown (1956), sort of their version of The Blob (1958) even though that came out two years later! But he was given the task to write this new version of Shelley’s tale, but told to make sure he stays away from Universal’s version, in fear of getting sued for copyright infringement. He decided to focus more on the creator than the creation, which started Hammer toward their path to being know as The House of Horror!