The Devil Rides Out
Released in 2000 by GDI Records
28 tracks with a total running time of 1:01:26 minutes
Music composed by James Bernard
Any fan of Hammer films should know the name of James Bernard. If not, start taking notes. Bernard was one of the main guys responsible for making Hammer films sound like they did. He created the music that surrounded the incredible colorful images that we were watching. Probably his most famous score was that of Horror of Dracula (just Dracula in the UK) where he would use the name of the film to create the main theme. The music is one of the things that let audiences know they were watching a Hammer film. Continue reading
How to make the beginning of the week better? Easy. Hearing a slew of great titles announced from Scream Factory that will be hitting Blu-ray last this fall!
Of course, anytime a Hammer title is release, there should be much rejoicing! No matter the title, to have these in a nice Blu-ray edition, with the blazing colors and clarity, it will be great to see these titles looking their best. Being release on Sept. 10th is Scars of Dracula (1970) starring Christopher Lee and Blood from the Mummy’s Tomb (1972) starring the stunning Valerie Leon! I know these titles don’t have a lot of fans, compared to maybe Hammer’s earlier titles, but they are still fun and entertaining.
Never a bad bit of news when there is an announcement of another Hammer film hitting Blu-ray, especially when it is coming from Scream Factory. If the fact that it’s another Hammer title doesn’t get your attention, then this amazing cover art from Mark Maddox probably will. Coming out on June 11th, the extras haven’t been finalized yet, but if it is what we’ve come to expect from Scream Factory, it will be well worth it. If you pre-order it now, you’ll get an 18×24 poster of the Maddox artwork!
Frankenstein Created Woman (1967) was Hammer’s fourth entry in their Frankenstein series, with Peter Cushing returning once again as the evil doctor. This time out, instead of sewing bodies together, he is experimenting with soul transferring! Starring the lovely Susan Denberg, and the always entertaining Thorley Walters, this is a must for Hammer fanatics!
For ordering information, just head over to Shout Factory’s site HERE.
Born Nov. 10th, 1913 – Died Jan. 1979
Bowie was one of the men responsible for making Hammer Films, as well as plenty of other films, look as good as they did. While he did work on a varying type of special effects, he was mainly known for working on matte paintings and models. A lot of the shots in the films where you see a mountainous landscape was due to Bowie. The first film he worked on for Hammer was The Quatermass Xperiment (1955), where he created the title monster. But he also worked on some of their classics like Horror of Dracula (1958), Plague of the Zombies (1966), and many more films.
He also worked on the original Superman (1978) movie, where he would eventually win both an Oscar and a BAFTA for his work. Unfortunately, he passed away on the same night that the rest of the team that worked on the special effects for that movie had won. So he never knew.
Bowie’s work was one of those little things in the movie that might only be shown on screen for a few seconds, but really made an impact on the look of the movie. So that is the reason that he needs to be remembered for the hard work that he would go through, for very little money, for something that is only glimpsed at.
Hammer Complete: The Films, the Personal, the Company
Published by McFarland, 2018. 992 pages.
By Howard Maxford
It’s really hard to be not excited when a book comes out on one of your favorite studios that is just a few pages shy of a 1000! Sure, some of you that ask, “do we really need another book on Hammer Films?” Well if it is as massive and thorough as this one, then that would be a definite yes! I have been waiting on this book to come out since McFarland announced it well over a year ago, but had no idea how colossal of a tome this would be. Maxford states in his introduction that it has taken over 15 years to complete this and it looks like it.
I’ve been reading and researching and learning about Hammer Studios and the people behind it for somewhere around three decades, but there is always still more to learn. That was proven once again as I started browsing through this before I read some little tidbits that I didn’t know about. Such as that Jimmy Hanley, who played the friendly bartender in The Lost Continent (1968), is actually the father of Jenny Hanley, who appeared in Scars of Dracula (1970)! Sure, it’s just a little bit of trivia, but that is a sign of a good reference book.
Born: Sept. 20th, 1925 – Died: July 12th, 2001
There are some composers that make a cinematic impact, just as much as an actor or director. James Bernard is one of them. The music he created for films, especially the ones he did for Hammer Films, became part of the movie’s unique look and feel. When the music started, you knew you were watching a Hammer picture, just from the sound of it. It was always able to grab your attention and never let go.
His score for Horror of Dracula (1958) will be remembered as one of the greatest opening titles ever known to fans of cinematic music. It is still as powerful today as it was then. But he also created music for films like Curse of Frankenstein (1957), The House of the Baskervilles (1959), The Plague of the Zombies (1966), as well as the first two Quatermass films.
Most composers are hidden figures in the movie world, with only a few making a name where film fans would actually recognize. When it comes to horror fans, Bernard’s name is right up there at the tope. Thankfully a lot of his work has been archived on CD so we can still enjoy it, as well as fans to come. Truly a great and talented man.
Coming in 2019, Hammer fans will finally get the complete scores from Horror of Dracula and The Curse of Frankenstein, created by the late, great James Bernard. The scores have been reconstructed by Leigh Phillips, with booklet notes by David Huckvale, and produced by James Fitzpatrick and Leigh Phillips. They will be created through the City of Prague Philharmonic Orchestra, conducted by Nic Raine.
To say that I’m excited to see these two scores finally get a release is a slight understatement. Hopefully they can get the right sound and feel of the originals, but I know I’ll be adding them to my audio library once they come out. Once I hear more info, I will pass it on here.