Terrifying Texts: Essays on Books of Good and Evil in Horror Cinema
Published McFarland, 2018. 268 pages.
Edited by Cynthia J. Miller & A. Bowdoin Van Riper
When I came across this title, I was immediately intrigued by it because, strangely enough, I didn’t know of anybody else who had tackled this subject matter before. In fact, the more I read through it, I was amazed at that fact because there are more movies that deal with this subject that I had thought. It’s one of those that as you’re reading and they mention another movie, you immediately think “Oh yeah… I forgot about that one!” Needless today, I really enjoyed this one!
As a book person myself, this had me right from the opening Introduction, where it reads, “Books are revered – and feared – for their ability to affect the minds and hearts of humankind. We collect them, pore over them, commit their passages to memory, censor them, and even attempt to banish them from our midst, lest they lead us to ruin.” Any book lover is going to be nodding their head while reading that, knowing and agreeing with exactly what the authors are saying… or writing, technically. Continue reading
Color Out of Space
Released by Milan Records, 2020
13 Tracks with a Total Running Time of 45 min.
Music by Colin Stetson
Let me start this by saying that I absolutely love the film Color Out of Space. So yes, this may make my review a little jaded, but I hope that you can at least understand why I think this score is an incredible piece of music when I’m done. So let us begin.
Watching the film, it really brings another world right in front of you, with strange and colorful things happening all around you. The music is right there giving you the audible angle to surround your ears with what your brain is seeing. It seems to just float around you while you’re listening to it, giving you a odd feeling of something… different. It may help when you have the volume cranked up! Continue reading
Color Out of Space (2019)
Directed by Richard Stanley
Starring Nicolas Cage, Joely Richardson, Madeleine Arthur, Brenden Meyer, Julian Hilliard, Tommy Chong, Elliot Knight
Like many horror movie fans, my first introduction to the works of H.P. Lovecraft was from film and TV adaptations, most likely from an episode of Night Gallery, even though at the time I had no idea where the story originally came from. That would come many years later. I think the first feature film based on his work that I remember seeing was the 1965 film Die, Monster, Die!, directed by Daniel Haller. Again, even though I had no idea who Lovecraft was, let alone that this was based on his work, I do remember the “zoo in hell” sequence scared the crap out of me as a kid! This film happens to be based on the same short story that this new movie is based on, The Colour Out of Space, which was first published in the Sept. issue of Amazing Stories, in 1927. And while this latest version doesn’t have a zoo, there is plenty of images within to give one nightmares. Continue reading
I can remember being in a theater back in 1990 and watching a screening of Hardware, by a young filmmaker, who showed me a post-apocalyptical world like I hadn’t seen before. But also one filled with amazing colors and sounds. I was so excited to see what this guy was going to do next. Then two years later, he gave us Dust Devil (though it took a few years to see the full version of the film!). And then we get to the tragedy that was The Island of Dr. Moreau, where he was fired and replaced, after bringing that film from the very beginning. That was well documented in David Gregory’s Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau (2014). Ever since then, besides some crictially acclaimed documentaries, he has never made a full lenght feature film since that debacle. Until now.
Next month, with the release of Color Out of Space, we’ll see the glorious return of Richard Stanley to feature films. Starring Nicholas Cage, Stanley has adapted the 1927 tale from H.P. Lovecraft, about a meteor from space that starts to… change things around where it landed. Continue reading
As a horror fan that loves books, who happens to live with two amazing cooks (my wife and son), it isn’t uncommon for me to occasionally buy them a cookbook that has some tie to the horror genre. Most of them are pretty generic or tend to be more on the treat side, like for Halloween parties and whatnot. But I recently stumbled across a recently published book that looked interesting, so I ordered it. Once it arrived and we started to page and read through it, we quickly realized the genius within the pages.
The Necronomnomnom was written by Mike Slater and Thomas Roache, published back last month from Countryman Press. It is 208 pages filled with 50 different recipes but with a very Lovecraftian twist to them, such as the Gin and Miskatonic drink, or The Great Old Buns, the Deep Fried Deep One, or some Cthus-Koos! Now we have not yet made any recipes from this… keyword yet, but just reading through it is a real treat and has some pretty interesting things that my son Nick has already expressed an interest in trying. Continue reading
Cold Skin (2017)
Released by Quartet Records (2017)
14 Tracks with a Total Running Time of 37 min.
Music Composed by Víctor Reyes
We stumbled across this movie while scrolling through Netflix one night. It sounded interesting so I gave it a try. I wasn’t expecting a well made film with a little bit of a Lovecraftian feel to it. But then a few months later and I discover that there was a soundtrack actually released for this! Of course, I immediately ordered my copy. The more I looked into the career of composer Víctor Reyes, the more I realized that I had already heard some of his previous work. In fact, quite a few. Such as Buried (2010), Grand Piano (2013), and even the more recent Down a Dark Hall (2018). But let’s get to the review of this little beauty. Continue reading
The Unnamable (1988)
Director Jean-Paul Ouellette
Starring Mark Kinsey Stephenson, Charles Klausmeyer, Alexandra Durrell, Laura Albert, Eben Ham, Blane Wheatley, Mark Parra, Delbert Spain, Katrin Alexandre
The first feature films to be based on the works of H.P. Lovecraft (at least officially credited to him) started in the ’60s with Roger Corman’s The Haunted Palace (1963), based on the story “The Case of Charles Dexter Ward” (even though they billed it as a Edgar Allan Poe movie!). Then we had Die Monster Die! (1965), The Shuttered Room (1967), and The Dunwich Horror (1970). We did see some adaptations in different series like The Night Gallery, but for the most part, it never really brought a lot of attention to the author and his work. Then in the mid ’80s, there was a slight resurgence of his work, starting with Stuart Gordon’s Re-Animator (1985), followed by From Beyond (1986), each based on stories of the same name. Granted, these versions were probably a little more intense than what the author intended, it still got the ball rolling and brought attention to Lovecraft’s name and his work. The following year we got David Keith’s The Curse, based on the story “The Colour Out of Space”, and soon more were to follow.