Back in the mid to late ’90s, I did something almost on a yearly basis that was one of those stupid things you do when you’re younger…driving from Chicago to New York for a convention, usually in the wintery month of January. I mean, when you have the opportunity to meet genre icons like Lucio Fulci or Paul Naschy, sensibilities tend not to come to the forefront of your thought process. Why pay $200 to $400 for a single plane ticket when I could get a bunch of like-minded horror fans in the car and make the 800+ mile drive there, stay a couple of days, and then make that same trip back. Granted, I was never dumb enough to do it alone, but the first few times we did this, it was in one straight shot. On the way there, we were so pumped full of excitement that the trip didn’t seem that bad. But for some reason the trip back seems sooo much longer. Sure, those long hours in the van were long, tedious, and sometime downright nerve racking. But it was an adventure, to say the least. Now I look back on those days with such fondness. Sure, maybe because I’m not behind the wheel at that moment, but those are still great memories.
Directed by Luciano Onetti
Written by Luciano and Nicolás Onett
Starring Luis Emilio Rodriguez, Gustavo Dalessanro, Raul Gederlini, Silvina Grippaldi, Evangelina Goitia, Juan Baustista Massolo
Over the last few years, there have been a few filmmakers out there that are trying to recreate the look and feel of the ’70s giallo films from Italy. Hélène Cattet & Bruno Forzani’s Amer (2009) and The Strange Color of Your Body’s Tears (2013) come to mind, as well as the more recent film The Editor (2014), by Adam Brooks & Matthew Kennedy. Each of these films capture the look and feel of the sub-genre, though The Editor really seemed like it was more concerned with making fun of it than paying tribute. But that’s for another review.
There are a few up and coming filmmakers that are really trying to replicate the style of the Italian giallo film genre, some more successfull than others, such as Hélène Cattet & Bruno Forzani’s Amer (2009) and The Strange Color of Your Body’s Tears (2013). But when the trailer for this film simply called Francesca hit the internet, I would have sworn this was made back in the ’70s, the heyday of the giallo. The look, the color, the music, and of course, the style, is just amazing.
Directed by Luciano Onetti and written by him and his brother Nicolás Onetti, they give us a tale about a two cops on the trail of a psychopath that is set on cleaning up the city of the “impure and damned souls”. The film has won several film festival awards like Director at Buenos Aires Rojo Sangre 2015, Best Production Design at Tabloid Witch Awards – Hollywood Investigator 2015, Weird Visions Award at Ravenna Nightmare 2015, Best Giallo Film at Crypticon Kansas City 2016, and Special Mention at Horrorant 2016 in Greece. Not a bad start, huh?
Yes, we all know of the giallo films from the likes of Dario Argento, Mario Bava, and Sergio Martino, but there are so many other names out there that need to be remembered. One of them is Luciano Ercoli, who just happened to pass away exactly one year ago today.
While he only directed a little over a dozen film, his last two are usually what makes the biggest impression on viewers. And now, thanks to Arrow Video, these two titles, Death Walks at Midnight and Death Walks on High Heels, are being released on blu-ray in double feature box set. Both starring Ercoli’s wife, the lovely Nieves Navarro (or Susan Scott, as she is usually billed as), these films are great examples of the giallo genre. Filled with twists and turns, beautiful women, amazing shots, and glorious color, they are not to be missed.