From the producers of the In Search of Darkness documentaries comes a new one that looks to be just amazing! Nightmare Industry is a new documentary coming out soon that is going to cover the Italian horror film industry. With Phillip Escott and Eugenio Ercolani as the co-directors and producers, I have a great feeling that this is going to be essential viewing. According to Escott, they want to “tell the ultimate story about Italian horror cinema.” He also states that their goal for this project is for fans to learn something, which has my support right there! Escott said “I want them to be entertained. I want them to have fun, because that’s what Italian horror cinema is all about. But I also want them to walk away enlightened. I want them to learn. A lot about what went into making these incredible movies.”Continue reading
Our good friend Troy Howarth has officially announced his latest book, which doesn’t have a release date yet, but I know I’ll be adding it to my library! The title is Make Them Die Slowly: The Kinetic Cinema of Umberto Lenzi, which will be published by WK Books. This will be the first ever book covering Lenzi’s work in English, which will cover all of his films in depth, with plenty of interviews with people that worked with Lenzi and his films. While some might only know Lenzi’s name from the cannibal films that gave him a lot of notoriety, his work and impact in the Italian film industry was huge.
With a forward by Eugenio Ercolani and cover art by Jolyon Yates, the page count should be around 400 and most likely will be offered in both a full color version as well as a black & white version, priced accordingly.
When we have more details, we’ll post them here. I’m not only a friend of Troy’s but have devoured more than a few of his books and have never been disappointed by the coverage he gives to each of his subjects. I expect no less with this one.
Darkening the Italian Screen
Published by McFarland, 2019. 334 pages
By Eugenio Ercolani
As fans of Italian genre films, we all know the names of Argento, Bava, Soavi, and (hopefully) Freda. But there were so many that worked in the industry in the ’60s through the ’80s, that so many get lost in the shuffle. Maybe we’ve heard of them, or maybe we know a movie or two they did, but that’s it. That is what I love about this book, that it brings light to more than a few people that had connections to some of the films we love, but maybe didn’t know as much about them.
Going through the list of names interviewed in this book, there were a few that I was familiar with, such as Umberto Lenzi, Ruggero Deodato, Enzo G. Castellari, and Sergio Martino. But even with these guys, there were plenty of interesting and sometimes downright amazing stories to be learned within these pages, especially when we learn about their beginnings in the industry. Other names like Alberto De Martino or Mario Caiano, I was somewhat familiar with, but not a lot. Then there were names that I wasn’t as familiar with at all, such as Giulio Petroni or Franco Rossetti. But the great thing about if you’ve been a fan of the Italian film genre for any length of time, you will have at least heard of the films they are talking about, if you haven’t seen them already. Continue reading
For those book lovers in your life, here are more than a few gift ideas for the upcoming holidays, or just because you want to support the print industry! I know each and every one of these titles will be added to my own personal library in the very near future! But these are a few that we’ve recently come across that sound pretty amazing.
Darkening the Italian Screen: Interviews with Genre and Exploitation Directors Who Debuted in the 1950s and 1960s by Eugenio Ercolani is a collection of interviews with names that might not be as familiar with most fans, but yet have had a huge impact on the Italian exploitation cinema. There are some of the usual suspects like actor George Hilton and director Sergio Martino, but then we’ll also get to hear from the likes of Uberto Lenzi, Alberto De Martino, Enzo G. Castellari, Franco Rossetti, among others. I can’t wait to hear some of their stories and tales from the trenches of getting some of their films made and released. Continue reading