Directed by Monte Hellman
Starring Michael Forest, Sheila Carol, Frank Wolfe, Wally Campo, Chris Robinson
I’m a sucker for monster movies from the ‘50s, and even more so when the creature is like something we’ve never seen before. Nothing against all the vampires and werewolves out there, but it is always refreshing to see something new and unique show up on the screen, showing how creative the filmmakers could be, especially with little or no money. That alone would be enough of a reason to watch this film. The fact that is actually decent story, well-acted, and well shot, is just bonus points. It’s a real shame that while a ton of the ‘50s monster flicks get remembered and discussed over and over, this one seems to be forgotten or at least not mentioned too often. Which is a damn shame, and why I decided I needed get a review of it posted now!
If you are a fan of Italian cinema, whether it be westerns, giallo, or horror, then you’ve most likely heard the work of Stelvio Cipriani, who passed away on Monday, October 1st, at the age of 81. With a career that spanned over 50 years, composing scores for over 200 films, he has help make those movies even better with his music.
He started studying music at the age of 14 and composed his first score when he was 29, which was The Ugly Ones (1966). He would contribute scores for such films as A Bay of Blood (1971), The Iguana with the Tongue of Fire (1971), Death Walks on High Heels (1971), Baron Blood (1972), Tragic Ceremony (1972), Rabid Dogs (1974), Tentacles (1977), The Great Alligator (1979), Nightmare City (1980), and so many more.
Thankfully for us film score fans, a lot of his work has been released on CDs, which allows not only us, but newer fans to discover and continue to enjoy years to come. So that his work with always be with us, which means he will always be remembered. Our thoughts go out to his friends and family.