Coming to Blu-ray for the first time in the U.S., Warner Archives has announced a new 2-disc special edition of Hammer’s The Curse of Frankenstein, the movie that really put the Studio that Dripped Blood on the map. This new release will contain 75 minutes of new documentary work, audio commentary by Screenwriter/Film Historian Steve Haberman and Filmmaker/Film Historian Constantine Nasr. You’ll get to hear from some of Hammer’s best scholars, such as Richard Klemensen discussing the history of the film, cinematographer and producer David J. Miller discussing Hammer’s underrated cameraman Jack Asher, as well as hearing from Christopher Frayling, Christopher Drake, and so much more.
The disc will contain a 1080p HD Restoration Masters from 4K scans of Preservation Separation Elements, but also a newly re-mastered 1.37:1 open-matte version as well. Continue reading
Hammer Horror: The Warner Bros. Years (2018)
Directed by Marcus Hearn
Starring Veronica Carlson, John Carson, Steve Chibnall, Joe Dante, Jonathan Rigby, Peter Sasdy, Madeline Smith, Caroline Munro, Christopher Frayling, Wayne Kinsey, Denis Meikle
So…a new documentary on Hammer Studios? I’m there. Simple as that. Add to the fact that when the producers of this documentary started a Kickstarter fund to get this project off the ground, I immediately signed up. Honestly, I don’t remember which level I put in for, but I did get a nice poster print as well as the Blu-ray. Being a huge fan of this famous British studio, this review might be a little jaded, but I will try to be as honest and straight forward as I can.
If you ever wondered just what happened to Hammer Studios, as to why they went under, then this feature length documentary will either answer that, or at least give you some very strong contributing factors that might have caused it. Even though this studio was very successful in the late ’50s and ’60s, by the time the ’60s were coming to a close, things were starting to change. Not with just the audiences, but the ratings boards, other movies the studios were releasing, as well as where Hammer was getting their funding from.