Brain Damage (1988)
Directed by Frank Henenlotter
Starring Rick Hearst, Gordon MacDonald, Jennifer Lowry, Theo Barnes, Lucille Saint-Peter, Vicki Darnell
I’m sure everyone reading this is familiar with this strange and twisted Faustian tale, that could only come from the mind of the man who gave us Basket Case (1982), writer/director Frank Henenlotter. If you haven’t, then I’m not sure what cave you’ve been living in for the last 30 years, but you need to pick it up now and watch it. It will change your life. Okay..maybe not change it, but definitely put a lot more entertainment in it. And there is even a message in there too! I mean, how can you have a tale about a parasitic creature, that looks like a cross between a turd and a deformed penis, that gets you hooked on a hallucinogenic drug that it emits, if only to keep you in control. Sure, there is a huge drug/addiction parable here, as well as the old fable of selling soul to a devil, but as crazy as it sounds, Henenlotter actually created a very well thought out story and it works quite well. The characters feel like real people, giving the dark and funny story more of an edge than most would probably take it as, about a much too common plague that still exists today. Sure, maybe not played out like it is here, but then it wouldn’t be as fun to watch, would it?
As I mentioned in my earlier report, I had already met Argento years before and gotten a couple of items signed for free. So kept pondering why did I need to do it again, especially since I’d be paying $60g $60 this time? I had brought along my copy of Alan Jones’ book Dario Argento: The Man, The Myths, & the Magic to get signed if I decided to, but was really struggling with it. Lucky for me, that debate was easily decided when a dealer friend of ours graciously offered some extra dealer badges since we hadn’t purchased our tickets yet, which saved us exactly the same amount needed for the Argento signature. So…it was really hard to pass up then since we had just saved that much, right? Funny how fate works out that way.
Granted, the real reason we were here was for our buddy Bryan Martinez to meet the Maestro, since he is not only a fan of Argento’s work, but because this director was a huge influence on him, which would later come out creatively with Bryan’s show The Giallo Room. To say that he was a little excited is a slight understatement. We decided that getting in line right away Friday would be the best bet, since it was early, the line wasn’t that big with maybe a dozen people already in line. Plus, you want to get to Argento early before he gets worn out by all the people coming to see him. I mean, the guy is in his mid-70s after all. Once Argento came down and started, it went pretty quick. I went first and held out my book to him. He paged through it a bit, signed it, then looked up and said “Very good book!” I then sat down next to him for the photo. The guy handling the camera shots was very nice about the whole thing, taking several shots to make sure he got a good one in there. Very different than some of the cattle drives that I’ve seen/heard of before. Argento seemed to be full of spirits and really happy to be there.