Fans of classic Hitchcock and soundtracks will be thrilled to hear that the score for his 1954 thriller, that has been painstakingly re-recorded under the direction of William Stromberg, recorded in Glasgow’s new state-of-the-art recording venue. They wanted to make sure that with this new recording, they were able to make it feel like Dimitri Tiomkin’s original.
This release also includes both used and unused “intermission cards” for the 3-D presentations, an alternate main title, as well as unused arrangements. With 15 tracks and a total running time of 65 minutes, I think this a must for any Hitchcock fans, as well as composer Tiomkin. You can get it directly from Intrada (click HERE) or from Screen Archives Entertainment (click HERE).
Directed by Ryan Schifrin
Starring Matt McCoy, Haley Joel, Christen Tinsley, Karin Anna Cheung, Tiffany Shepis, Jeffrey Combs, Natalie Compagno, Paul Gleason, Lance Henriksen, Rex Linn, Dee Wallace Stone
Matt McCoy stars as Preston, a rich guy who lost his wife, as well as the use of his legs, in a rock climbing accident several months before. Still having trouble dealing with what happened, his doctor has one of the male nurses taking him back to his mountain cabin to help him face his fears. Shortly after arriving, a group of young women arrive at the house next door for their own weekend getaway. Still dealing with the memories from the accident and not wanting to even be there, things get worse when he starts to notice something moving out in the woods. Granted, his asshole of a nurse refuses to listen to him because he’s been complaining since they got there. But then as Preston is watching from his window, he sees something come out of the woods and snatch up one of the girls right off her feet. Continue reading
Two weeks from today, the Music Box Theatre will once again unleash the terror from their projector, screening 13 features (with 10 of them being from actual 35mm prints!) in this year’s The Music Box of Horrors! Since our last post, they have added one final feature to the lineup, Dario Argento’s Opera (1987), which will be the Italian uncut version, playing in Chicago for the first time! This is actually Argento’s personal 35mm print being screened! How cool is that?