100 Bloody Acres (2012)
Directed by Cameron and Colin Cairnes
Starring Damon Herriman, Angus Sampson, Anna McGahan, Oliver Ackland, Jamie Kristian, John Jarrett
Horror / comedy films are a tough nut to crack without damaging the integrity of the film. Meaning making it not that funny, or just not scary, but being able to find that perfect balance. Many have tried and many have failed. But the writer/director team of Cameron and Colin Cairnes have cracked that nut just right with this film. Showing that you can have a simple story, but with some great characters, can make a very entertaining movie. Continue reading
Child Eater (2016)
Directed by Erlingur Thoroddsen
Starring Cait Bliss, Colin Critchley, Jason Martin, Dave Klasko, Brandon Smalls, James Wilcox, Melinda Chilton, Andrew Kaempfer
This is another title that snuck by me when it was making the rounds a couple of years ago. Unfortunately, I’m not sure it got the attention it deserved because I am just hearing about it now. So I’m trying to help either re-start the ball rolling, or at least continue it, because this little flick is more than worth your time. Continue reading
What Still Remains
Released by Lakeshore Records, 2018
21 Tracks, with a Total Running Time of 41 min.
Music by Jonathan Beard
There are some scores that are in your face, with a pounding emitting from the speakers, almost like an audio assault. But personally, the ones that are more quiet and subdued, slowly creeping into your head instead of bursting in, are the ones that I’m more drawn to. It seems that is what composer Beard was going for with this score. There are a lot of strings used here, and a bit of piano, that create a perfect blend of music and sounds that while are more on the quiet side, they still can move you. Some tracks come across more like metal scraping in the distance, or some sort of wind chime from hell. But all works in creating this great ambiance. Continue reading
A little late today, but still Monday from where I’m sitting. Last week’s photo was from the wonderful world of Al Adamson and his movie Brain of Blood (1971). In that photo was the esteemed actors Kent Taylor and Grant Williams with the lovely Regina Carrol in between them. On the table was the imitable John Bloom, a 7’4″ actor who always made an impact on screen. Kudos to the following for sending in the correct answer: Hoby Abernathy, Dustin Moravich, Michael Shields, and Mike Tutino. Well done.
This week’s photo doesn’t involve a brain, but a skull…of some sort. Let’s see what you can come up with. As always, please remember not to post your answers here so other can have a guess. Just send them to us in an email, to firstname.lastname@example.org. Good Luck!
Back in golden age of cinema, at least for fans of horror and Sci-Fi pictures, was the double feature. These were usually at the drive-ins, and offered fans two features for the price of one to try and get more patronage through the gates! How could you lose? Sure, the second feature might not be the best film, but that was all part of the fun. Some of these pairings became legendary, such as I Drink Your Blood and I Eat Your Skin!
Now, thanks to author Bryan Senn, you can learn all you need to know about all the different double bills that played in theaters from 1955 to 1974, in his new book Twice the Thrills! Twice the Chills! The book covers the 147 officially sanctioned horror and Sci-Fi double-bills during this period, starting with AIP’s Revenge of the Creature and Cult of the Cobra.
There is no specific publication date as of yet, but should be out either the end of this year, or the beginning of 2019. It does have a bit of a hefty price of $59.95, but everything I’ve read by Senn has been well worth the time and effort and I’ve walked away with a lot more horror knowledge! So can you really put a price on that???
From all of us at the Krypt, here’s to a great and safe Halloween! It has been an amazing time this last month, with plenty of conventions, movie screenings, and marathon madness. Every year I am shocked at how packed our October is but I wouldn’t give it up and relish every moment. If you were part of this madness I was involved in, I thank you! And let’s plan to do it all again next year!
Coming in 2019, Hammer fans will finally get the complete scores from Horror of Dracula and The Curse of Frankenstein, created by the late, great James Bernard. The scores have been reconstructed by Leigh Phillips, with booklet notes by David Huckvale, and produced by James Fitzpatrick and Leigh Phillips. They will be created through the City of Prague Philharmonic Orchestra, conducted by Nic Raine.
To say that I’m excited to see these two scores finally get a release is a slight understatement. Hopefully they can get the right sound and feel of the originals, but I know I’ll be adding them to my audio library once they come out. Once I hear more info, I will pass it on here.