The Cinematic Art of Fantastic India – Volume 1: VCDs
Published by WK Books, 2018. 138 pages
By Tim Paxton
As a collector of movie posters, lobby cards, and other such types of memorabilia, I was always amazed when I could come across an image on a poster that was blatantly taken from another movie, sometimes not even having the closest thing to the movie it was being used to advertise this. The best example that I can think of is the Pakistani poster for Hammer’s Captain Kronos: Vampire Hunter, which used images from Fulci’s City of the Living Dead, including the famous drill-through-the-head scene. Well the Indian film market, especially for the covers of their VCDs. Which is exactly this book is about.
If you have any interests in poster are, especially foreign ones, then you will absolutely love this book. The covers and posters shown here, page after page, are filled with such wild images, some of which have characters or designs that you’ll immediately recognize from another, more familiar poster, or at least make you think you’ve seen it before. Granted, most of the movies here don’t have those creatures and whatnot actually in the film, but we’re talking about the posters and box art for the time being.
Terror in the Desert
Published by McFarland, 2018. 312 pages
By Brad Sykes
In an age of internet reviews, when anybody with a computer can be a critic (me being one of them), sometimes we might read a negative review of a movie and brush it off without any inclination to visit it, or in some cases, re-visit it. And I think that is a big mistake on the part of all of us fans.
In his introduction in this book, author Sykes writes, “I honestly believe that most of the films profiled in these pages – flaws and all – have something to offer the viewer.” After reading that, it reminded me once again that even if a movie might only be a 2 or 2 1/2 stars out of 5, that doesn’t mean that it is a total waste of time, but that it still might have some merit and might just be worth watching. Might be a great special effect or stunt in there. Or just a great performance by one particular actor. We just never know. So I just wanted to throw that out there, giving a little credit to Sykes for reminding us fans something that we shouldn’t forget.
Human Beasts: The Films of Paul Naschy
Published by CreateSpace, 2018. 344 pages
By Troy Howarth
Followers of the Krypt might know of my slight fondness for the work of Spanish writer/director/actor and all around horror fan, Jacinto Molina, better known as Paul Naschy. Besides his own autobiography, Memoirs of a Wolfman or Muchas Gracias Senor Lobo that showcases all these amazing posters, lobby cars, and other material from his movies, there hasn’t been a book out, at least that I know of here in the states, that covers the massive filmography of Naschy. Until now.
Let me say right from the start that Howarth is not only a good friend of mine, but that I also have a very small part in this book, in the Naschy legacy section in the back. Also, that I’m a die-hard Naschy fan that is just thrilled to death that there is finally a book about him and his films. But I would ask you to believe that if I had issues with Troy’s writing, or this book in general, that I would be up front and honest about them here. I don’t mix words when it comes to reviewing, especially books, even more so when they are about a subject that I am very passionate about.
Biology Run Amok!
Published by McFarland, 2018. 255 pages
By Mark C. Glassy
I first discovered the writings of Glassy with his first book, The Biology of Science Fiction Cinema, which I stumbled across at a Half Price Books a few years ago. Within those pages, he discusses different films in the horror and sci-fi genre, looking at the science in them and seeing what could be true and what is totally off. Such an enjoyable read. This time out, Glassy does the same, but also is educating the reader with a lot of science knowledge and how it is applied in some of our favorite films. These were originally published in Scary Monsters magazine, starting back in 2009, but now are all gathered together in this one volume.
In the beginning of the book, he describes how audiences today are the “Jurassic Park Generation” since we pretty much will believe the science we see in movies as reality. But Glassy goes through these different theories and explains in more details some of the fallacies therein, but also when some of the films gets the science correct.
Book of the Dead: The Complete History of Zombie Cinema
Published by FAB Press, 2005. 319 pages
Re-Issued by Titan Books, 2014. 376 pages
By Jamie Russell
There are tons of film books on the zombie sub-genre. When this title was first released in 2005, The Walking Dead TV show was still 5 years away from hitting the airwaves. Since that time, books on the zombie culture have flooded the fandom like walkers a Pittsburgh shopping mall. So when this title first came out in 2005, it was long overdue. Finally, someone had taken a very serious look into this sub-genre. But while zombies became really popular in the ’80s, from Romero’s Dawn of the Dead and Fulci’s Zombie, they have been around a lot longer than some might realize. That is where this book comes in.
Film Alchemy: The Independent Cinema of Ted V. Mikels
Published by McFarland, 2007. 220 Pages
By Christopher Wayne Curry
The name of Ted V. Mikels is one that is not that well known in the film community. Unless of course, you are a fan of cult movies. Then you are well aware of the name, and the man, and the movies that he has given us over the past 40+ years. Now thanks to author Curry, we are able to get a closer inside look at the man and his movies.
Mikels’ films can pretty much be the definition of “independent cinema”. Within these pages, Curry does an excellent job explaining and showing the readers just what Mikels has gone through to bring his productions from conception to creation. It’s not a pretty story in most cases. But as Mikels says in the book, “I always tell people at the beginning of my movies that if they’re not here to enjoy the making of a movie then they shouldn’t be here.” I think that statement perfectly describes Mikels. He simply loves to make movies.
Frankenstein: How a Monster Became an Icon
Published by Pegasus Books, 2018. 254 pages
Edited by Sidney Perkowitz & Eddy Von Mueller
Being a sucker for any books on Frankenstein, the movies, the novel, and/or anything in between, it was a no-brainer to add this one to my library when it came out. At first glance, I figured it would be another one of those psycho-babble titles, filled with such ludicrous ideas and theories. But as I started to dig into it, not only were my initial fears were wrong, I found this a very intriguing and interesting read, with plenty of ideas, theories, and information that really got my brain working.
Editors Perkowitz and Von Mueller have gathered a collection of authors that really know this subject and have quite a few interesting things to say about it, as well as giving the reader a variety of subjects relating to Shelley and her famous creation. The book covers a variety of topics, from Shelley’s original novel, to the many adaptations of it, to the science and the morals and ethics behind it. There is even an interview with filmmaker Mel Brooks, talking about Young Frankenstein (1974)! There are chapters that discuss different aspects of Shelley’s story, such as the creature and how it is looked upon, perceived, and treated, and why? These are the parts that I found most fascinating since it really gave you some ideas to think about, if Shelley really had these in mind when she wrote it. We get to hear about how Frankenstein’s creature has invaded the media over the last 200 years and how it is used, which again, I found very interesting to see how far this character has come these last two centuries.