Book Review: Human Beasts: The Films of Paul Naschy

Human BeastsHuman Beasts: The Films of Paul Naschy
Published by CreateSpace, 2018. 344 pages
By Troy Howarth

Followers of the Krypt might know of my slight fondness for the work of Spanish writer/director/actor and all around horror fan, Jacinto Molina, better known as Paul Naschy. Besides his own autobiography, Memoirs of a Wolfman or Muchas Gracias Senor Lobo that showcases all these amazing posters, lobby cars, and other material from his movies, there hasn’t been a book out, at least that I know of here in the states, that covers the massive filmography of Naschy. Until now.

Let me say right from the start that Howarth is not only a good friend of mine, but that I also have a very small part in this book, in the Naschy legacy section in the back. Also, that I’m a die-hard Naschy fan that is just thrilled to death that there is finally a book about him and his films. But I would ask you to believe that if I had issues with Troy’s writing, or this book in general, that I would be up front and honest about them here. I don’t mix words when it comes to reviewing, especially books, even more so when they are about a subject that I am very passionate about.

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Book Review: Biology Run Amok!

BBiology Run Amokiology Run Amok!
Published by McFarland, 2018. 255 pages

By Mark C. Glassy

I first discovered the writings of Glassy with his first book, The Biology of Science Fiction Cinema, which I stumbled across at a Half Price Books a few years ago. Within those pages, he discusses different films in the horror and sci-fi genre, looking at the science in them and seeing what could be true and what is totally off. Such an enjoyable read. This time out, Glassy does the same, but also is educating the reader with a lot of science knowledge and how it is applied in some of our favorite films. These were originally published in Scary Monsters magazine, starting back in 2009, but now are all gathered together in this one volume.

In the beginning of the book, he describes how audiences today are the “Jurassic Park Generation” since we pretty much will believe the science we see in movies as reality. But Glassy goes through these different theories and explains in more details some of the fallacies therein, but also when some of the films gets the science correct.

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Book Review: Book of the Dead

 

Book of the Dead: The Complete History of Zombie Cinema
Published by FAB Press, 2005. 319 pages

Re-Issued by Titan Books, 2014. 376 pages
By Jamie Russell

There are tons of film books on the zombie sub-genre. When this title was first released in 2005, The Walking Dead TV show was still 5 years away from hitting the airwaves. Since that time, books on the zombie culture have flooded the fandom like walkers a Pittsburgh shopping mall. So when this title first came out in 2005, it was long overdue. Finally, someone had taken a very serious look into this sub-genre. But while zombies became really popular in the ’80s, from Romero’s Dawn of the Dead and Fulci’s Zombie, they have been around a lot longer than some might realize. That is where this book comes in.

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Book Review: Film Alchemy: The Independent Cinema of Ted V. Mikels

mikelsbookFilm Alchemy: The Independent Cinema of Ted V. Mikels
Published by McFarland, 2007.  220 Pages

By Christopher Wayne Curry

The name of Ted V. Mikels is one that is not that well known in the film community. Unless of course, you are a fan of cult movies. Then you are well aware of the name, and the man, and the movies that he has given us over the past 40+ years. Now thanks to author Curry, we are able to get a closer inside look at the man and his movies.

Mikels’ films can pretty much be the definition of “independent cinema”. Within these pages, Curry does an excellent job explaining and showing the readers just what Mikels has gone through to bring his productions from conception to creation. It’s not a pretty story in most cases. But as Mikels says in the book, “I always tell people at the beginning of my movies that if they’re not here to enjoy the making of a movie then they shouldn’t be here.” I think that statement perfectly describes Mikels. He simply loves to make movies.

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Book Review: Frankenstein – How a Monster Became an Icon

Frankenstein How a Monster Became an IconFrankenstein: How a Monster Became an Icon
Published by Pegasus Books, 2018. 254 pages

Edited by Sidney Perkowitz & Eddy Von Mueller

Being a sucker for any books on Frankenstein, the movies, the novel, and/or anything in between, it was a no-brainer to add this one to my library when it came out. At first glance, I figured it would be another one of those psycho-babble titles, filled with such ludicrous ideas and theories. But as I started to dig into it, not only were my initial fears were wrong, I found this a very intriguing and interesting read, with plenty of ideas, theories, and information that really got my brain working.

Editors Perkowitz and Von Mueller have gathered a collection of authors that really know this subject and have quite a few interesting things to say about it, as well as giving the reader a variety of subjects relating to Shelley and her famous creation. The book covers a variety of topics, from Shelley’s original novel, to the many adaptations of it, to the science and the morals and ethics behind it. There is even an interview with filmmaker Mel Brooks, talking about Young Frankenstein (1974)! There are chapters that discuss different aspects of Shelley’s story, such as the creature and how it is looked upon, perceived, and treated, and why? These are the parts that I found most fascinating since it really gave you some ideas to think about, if Shelley really had these in mind when she wrote it.  We get to hear about how Frankenstein’s creature has invaded the media over the last 200 years and how it is used, which again, I found very interesting to see how far this character has come these last two centuries.

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Book Review: Gods of Grindhouse

Gods of GrindhouseGods of Grindhouse
BearManor Media, 2013. 169 pages.
Edited by Andrew J. Rausch

I know everyone out there knows the name of Roger Corman. But what about Ted V. Mikels? Or Ray Dennis Steckler, Jack Hill, or Bill Rebane? These gentlemen, plus a few more, are the names covered in this very important book. The guys are from the filmmaking industry that I feel are much more important than the likes of Michael Bay. Why? Simple. There movies are something you will remember and will stand the test of time. Each generation will discover and be entertained by them. Without the talented craftsmen discussed in this volume, there would be no Quentin Tarentino. So while their movies may be the jest of places like MST3K, that doesn’t take away from what their films are about, as well as the people that struggled to get them made and distributed.

I know I preach over and over on this site about how important it is to know your history when it comes to the genres, but I wouldn’t keep saying it if I really didn’t believe it. So many younger filmmakers, such as the previous mentioned Tarantino, grew up watching the films from these guys, being inspired to make their own mark with their films. So yes, it is VERY important to know these guys and their work. And this book is a great way to start.

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Book Review: Grande Dame Guignol Cinema

GGrande Dame Guignol Cinemarande Dame Guignol Cinema
Published by McFarland, 2009. 340 pages.
By Peter Shelley

Kudos to author Shelley for coming up with a great idea, highlighting some classics in horror cinema that some of them I feel tend to be left behind. Shelley writes in the preface, “for me the sign of good writing about films is that it compels one to see the movie under discussion. I hope my book does this for my readers.” Not only do I completely agree with that statement, but there are more than a few titles discussed in this book are now on my Need-to-Watch-AGAIN list.

Shelley does a great job in his introduction explaining the title of the book, and clearly defining what he means by it. This is a good way to stop people from asking “why did you leave this movie out?” … granted that will still probably happen. But at least going in, we are well aware of his point and what he is trying to accomplish with this book. With each title, he gives us a little background on the actress who is filling the role of the book’s title, and why they fit so well here. Once again, any book that sheds a little light on some horror history, I’m all for, and Shelley does an admirable job here.

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