Years ago, I used to be into resin and vinyl model kits. I wasn’t the greatest painter, but I enjoyed it and I did okay. But I got out of it quite some time ago because it just was taking too much of my time. I would get a kit and then spend every waking minute on it until it was finished. Several years ago, when we were setting up at Wonderfest in Louisville, it was very hard not to give into the temptation and buy more kits. But I stood my ground and kept myself from getting any. I still have a lot of my kits that I did paint around the Krypt, but haven’t bought a new kit in years.
My buddy (and key enabler) Phil, sent me the below pics of a new kit that just came out, knowing that it was going to be very hard for me to pass up. And moments later, I was chatting with the man responsible for putting this kit out, Paul Gill, and ordering one of the kits.
This El Retorno Del Hombre Lobo kit was sculpted and painted by Mark Van Tine. It is 9 1/2″ inches of all Naschy! Obviously if you order one, it does not come assembled or painted. The parts are the bust, hand, base, and black plastic chains. Just making sure that is clear.
The price is $100 plus s&h. Keep in mind, these are made in limited quantities, so if you have any interests, I would contact Paul Gill through Facebook right away to make sure there are some left.
There always seems to be another event that I’m scheduled to be at the same time as this great looking film fest that takes place in Oshkosh, WI. This is their 3rd year and they have a great looking lineup for this 2-day event. Taking place on Oct. 13th & 14th at the Time Community Theatre, they will be screening both short films and feature length titles.
For the full lineup, just click HERE. For all other information about the event, you can either click HERE for the website, or their Facebook page is HERE.
One of these days, we’ll make it up there. One of these days….
While I might dabble occasionally in horror figures here and there, I was smart enough to stay away from that part of horror collecting. Mainly because there are so freaking many different ones out there, had I started, I would have gone broke by now! Sure, they are very cool and usually well done. But I just personally have a problem paying $80 to $120 for a 8″ or 12″ figure. Trust me, I understand they are handmade and only a limited number made. Just hard for me to part with that kind of cash for one.
I will say that I’m thrilled to see Paul Naschy represented in these character figures. Not just once…not twice…but now a third figure has been announced. The first two were from Werewolf vs the Vampire Woman (1971), one an 8″ figure and the other a 12″ figure. This newest one is another 8″ but is from Naschy’s Night of the Werewolf (1981), my personal favorites of his Daninsky films. I believe the 8″ figures were created by Distinctive Dummies, but not sure about the 12″ one. Although, finding information about them and browsing their website isn’t the easies.
Either way, kudos to them for helping keep Naschy’s spirit and films alive with these great figures. Who knows…maybe one of these days I’ll break down and get one. Or two. Or all three….stranger things have happened.
With just a little over a month away, the Music Box has announced the rest of the titles that will be screening at this year’s Music Box of Horrors. With only 3 out of the 12 titles being screened from a DCP, the rest will all be from 35mm. Previously announced titles were Lord of Illusions (1995), Child’s Play (1988), Freddy vs Jason (2003), Body Melt (1993), Wicked Wicked (1973), and Goke, Bodysnatcher from Hell (1968). But now posted on the theater’s website, we have the rest of the titles in the lineup. They are:
The Lodger (1927) – Alfred Hitchcock’s original version of this tale of Jack the Ripper. This will have a live score from False Gods Trio, and screened from a DCP format.
It was almost two years ago when I have the joy of watching Lucio Fulci’s The Beyond, one of my all-time favorite films in the theater. But this time it was a little different. Composer Fabio Frizzi was there with his Frizzi 2 Fulci band playing a live score during the film. He called it “The Beyond – The Composer’s Cut”. There was music being played where there normally wasn’t, or maybe the cues were a little longer than originally. Either way, it was an amazing experience to be watching these nightmarish images that Fulci came up with on the big screen, and hearing this chilling score being played live right in front of you.
Now, thanks to Beat Records, you can have a chance to hear that live version over and over again, with the release of The Beyond – The Composer’s Cut: Live in Austin on CD. This release has two different versions here, one by a 51 piece symphonic orchestra and the second one performed by his Frizzi 2 Fulci band.
The CD is has over an hours worth of music and is only $19.95 and will be released Sept. 10th. You can order your copy from Screen Archives by clicking HERE.
Today, Senior Molina, aka Paul Naschy, would have been 84. It’s been almost a decade since we this icon of the horror genre. I am just so grateful that his memory and his work continue to live and breathe, with more and more titles hitting Blu-ray, books written about him, and more collectibles being produced, it shows just how important his work has meant to the fans, and what it will mean to the legion of newer fans that will discover his massive body of work each and every year. Oh, how I am envious of these newer fans that get to watch titles like Horror Rises from the Tomb or Night of the Howling Beast for the very first time.
So while us fans still miss him and continue to mourn the loss of such a talented actor, director, screenwriter, not to mention father and husband to his family, we know that the legend of Paul Naschy, much like his most famous character, Waldemar Daninsky, will never die and will be reborn time and time again.
Thank you, Senior Molina, for all the wonderful memories, both past and future.
Phans of director Don Coscarelli take note! This true independent filmmaker will be coming to Chicago’s Music Box Theatre to celebrate the release of his autobiography, True Indie: Life and Death in Filmmaking, as well as a screening of his film Bubba Ho-Tep (2002).
His book gives us story after story of working in the filmmaking industry, but still able to remain independent and not be sucked into the evil world of Hollywood, one thing that I’ve always admired about him. He would continue to turn out very unique and unusual films, always creating entertaining pictures, from his Phantasm series, to the dark and strange comedies Bubba Ho-Tep and John Dies at the End, Coscarelli continues to shine as a truly independent and dedicated craftsman to the industry. And we get to read about all those stories in his book, which we can only imagine how many good ones he has to tell. Such as having his own office on Universal Studios’ lot while he was still in his teens, or where he almost drowns actress Catherine Keener, to setting his face on fire during the making of Phantasm, to even meeting and working with heavy metal legend Ronnie James Dio.