From all of us at the Krypt, here’s to a great and safe Halloween! It has been an amazing time this last month, with plenty of conventions, movie screenings, and marathon madness. Every year I am shocked at how packed our October is but I wouldn’t give it up and relish every moment. If you were part of this madness I was involved in, I thank you! And let’s plan to do it all again next year!
Coming in 2019, Hammer fans will finally get the complete scores from Horror of Dracula and The Curse of Frankenstein, created by the late, great James Bernard. The scores have been reconstructed by Leigh Phillips, with booklet notes by David Huckvale, and produced by James Fitzpatrick and Leigh Phillips. They will be created through the City of Prague Philharmonic Orchestra, conducted by Nic Raine.
To say that I’m excited to see these two scores finally get a release is a slight understatement. Hopefully they can get the right sound and feel of the originals, but I know I’ll be adding them to my audio library once they come out. Once I hear more info, I will pass it on here.
Halloween is almost upon us. Hopefully everyone out there has been enjoying and indulging in the season! I know I have been trying to do my best! But let’s get to the business at hand. Last week’s photo was from El mundo de los vampiros (1961), better known here in the states as The World of Vampires. While this film may have some weird and crazy shit going on, the atmosphere is just amazing. Kudos to the following for sending in the correct answer: Hoby Abernathy, Doug Fronto, Angela Hermann, Troy Howarth, & Michael Shields.
Now for this week’s photo. Might be a tough one, or fairly easy for some of you. Take a look and find out. As always, PLEASE remember not to post your answers here so that others can have a chance at guessing. Just send your guess to us in an email to firstname.lastname@example.org. Good Luck!
Back in 2015, Luciano and Nicolas Onetti gave us Francesca, a giallo made with the same look and style of those classic Italian films of the ’70s. In fact, if you didn’t know any better, you probably wouldn’t have known this was not only a made recently, but also by a crew that mainly consisted of these two brothers! Their talent is pure amazing.
And now, we have their new film, entitled Abrakadabra. Check out the trailer below.
How could I not post something about this huge book sale that the scholarly publisher, McFarland is having a 25% off all their horror related books! If you check out our Horror Reference Book reviews, you’ll find more than a few McFarland titles. That’s mainly because they continue to put out high quality editions. Yes, they normally are a bit pricy, but now is your chance to save a good chunk of change of some of these.
True Indie: Life and Death in Filmmaking
Published by St. Martin’s Press, 2018. 342 pages.
By Don Coscarelli
Having the chance to see Bubba Ho-Tep in the theater with the director Don Coscarelli in attendance is well worth me traveling into Chicago for it. Even more so if Coscarelli is there promoting his new autobiography as well! Hearing him talk about the book after the screening made me want to dive into it right away. In fact, I started reading this the next day. And two weeks later to the day, I finished it. If you want to get the gist of this review without having to read it all, just go by the book. It is one of the most entertaining biographies I’ve read in a long time. But if you want more details, read on.
I’ve always admired Coscarelli and his work, especially the Phantasm films, and have met the man more than a few times at different conventions over the years. Each and every time I have met him, he has been one of the most genuine and friendly person you could meet. In fact, as me and a friend we’re waiting outside the theater for the book signing, Coscarelli walks up to us and says “Hi, I’m Don. Are you hear for the singing and movie?” Such a class act.
I’ve been going to conventions for over twenty years and have met more than a few celebrities over those two decades. Some are very cordial, while others a little standoffish. But there are few that compare to the pure joy that I felt from meeting James Karen in an elevator at Chiller convention back in the mid ’90s. As we were talking the elevator down to the show, Mr. Karen walked in and could immediately tell from the black horror t-shirts we were wearing that we were there for the show. He immediately said hello and started talking to us as the doors closed. He wasn’t embarrassed by his work in the horror genre, or that some young fans were geeking over the fact that we were in the same elevator as Frank from Return of the Living Dead! He just seemed so happy to be there and loved the fact that we were fans and knew who he was. While the ride only lasted a minute or two, it is one of the best memories from my convention memories. I met him again a few years ago and he still gave off that same vibe to his fans. So it was very sad hearing of his passing.
The funny thing is that if you look at his immense filmography, with over 200 screen appearances, he only appeared in a few horror titles. But in those, he created very memorable characters, such as the real estate developer in Poltergeist (1982) or the bumbling but loveable Frank in Return of the Living Dead (1985). His very first film appearance was in the wonderfully titled Frankenstein Meets the Space Monster (1965), as well as appearing in so many television series and even more commercials, starting back in 1948, in a production of A Christmas Carol. But before that, he started acting on the stage. He made his Broadway debut in 1947 in a production of A Streetcar Named Desire, being Karl Malden’s understudy.
Horror fans have lost a friend, as well as an extremely talented actor, who could make you love his character as easily as hate him. He was that good. He will be deeply missed. At least we still have his films to keep his memory alive. I know that each time I pop in my copy of Return of the Living Dead, no matter that I’ve seen the film countless times, James Karen will still make me smile and laugh. So he will never be forgotten.
Our thoughts go out to his friends and family during this difficult time.
One of the very first film scores that hooked me was that of John Williams’ score for the 1979 version of Dracula, starring Frank Langella. It was also one of the first soundtrack LPs I bought back in the day, being every bummed that it just wasn’t that long of a score. But now all of that is going to change, thanks to Varèse Sarabande.
Chicago’s Music Box Theatre has been hosting these 24-hour marathons since 2005, and I have been at every one of them. There were a few times I was just there as a fan to watch the movies, but usually I’m there as a vendor. When I am set up as a vendor, part of me always regrets not just coming as a fan and being able to enjoy watching the films instead of staying behind my table. Sure, with my wife Dawn there, I could always sneak out to catch a film or two, but I usually feel bad about leaving her there to watch the table alone. Plus, I always feel I might miss something. We also usually pack and leave somewhere around 2am, figuring sales are usually low or non-existent by then. But this time out, things were a little different. Continue reading
While I still am recovering from our weekend at the Monster Bash Conference in Mars, PA, I wasn’t going to forget to get a new photo posted today. Priorities, right? Before we get to the new one, let us go over last week’s photo. It was a shot from one of the most famous double features in cult movie history. Our pic was from the second and lesser known feature, was directed by Del Tenney and was originally titled Zombies or Zombies, or even Invasion of the Zombies, but wasn’t released right away. Distributor Jerry Gross picked it up, re-titled to I Eat Your Skin for his famous double feature run, following I Drink Your Blood. The rest is exploitation history.
Kudos to the following for sending in the correct answer: Hoby Abernathy & Michael Shields. Well done, guys!
Now on to this week’s photo. Take a look at this guy’s organ! Seriously! Then see if you can recognize what film it is from. Please remember not to post your answers here, so that others can have a guess. Just send your guess to us in an email to email@example.com. Good Luck!