Geretta Geretta at Reel Art on Saturday!

Geretta at Reel ArtScream Queen Geretta Geretta, known for her role as Rosemary in Lamberto Bava’s Demons (1985), not to mention appearing in other Italian classics like Warrior of the Lost World (1983), Rats: Night of Terror (1984), Murder-Rock: Dancing Death (1984), and Shocking Dark (1989), which was recently released on Blu-ray by Severin Films, will be appearing this Saturday at Reel Art Collectibles in Berwyn, IL!

First of all, just going to Reel Art on its own is a real treat because you can find thousands of amazing movie posters, inserts, half-sheets, as well a ton of other collectibles. But now, you have even more of a reason to go, to meet the lovely and talented Geretta! She will have 8×10 stills, Demon Dolls, and Blu-Rays for purchase for her to sign, including copies of Shocking Dark, which she has an audio commentary on. You can bring your own items for her to sign as well.

They will also be screening Demons around 3:30-4pm, with a Q&A after the film. For all the information, you can check out the event page on Facebook HERE.

Book Review: The Cinematic Art of Fantastic India – Vol. 1 VCDs

Cinematic Art of Fantastic India Vol 1The Cinematic Art of Fantastic India – Volume 1: VCDs
Published by WK Books, 2018. 138 pages
By Tim Paxton

As a collector of movie posters, lobby cards, and other such types of memorabilia, I was always amazed when I could come across an image on a poster that was blatantly taken from another movie, sometimes not even having the closest thing to the movie it was being used to advertise this. The best example that I can think of is the Pakistani poster for Hammer’s Captain Kronos: Vampire Hunter, which used images from Fulci’s City of the Living Dead, including the famous drill-through-the-head scene. Well the Indian film market, especially for the covers of their VCDs. Which is exactly this book is about.

If you have any interests in poster are, especially foreign ones, then you will absolutely love this book. The covers and posters shown here, page after page, are filled with such wild images, some of which have characters or designs that you’ll immediately recognize from another, more familiar poster, or at least make you think you’ve seen it before. Granted, most of the movies here don’t have those creatures and whatnot actually in the film, but we’re talking about the posters and box art for the time being.

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Soundtrack Review: Puppet Master – The Littlest Reich

puppet master the littlest reichPuppet Master: The Littlest Reich
Released by Lakeshore Records, 2018

13 Tracks with a Total Running Time of 31 min.
Music by Fabio Frizzi

I must admit, seeing the offer to review the soundtrack for the latest Puppet Master movie didn’t fill me with excitement. But when I saw the composer was none other than Fabio Frizzi, the Italian maestro who composed the scores for films like Fulci’s The Psychic (1977), Zombie (1979), City of the Living Dead (1980), The Beyond (1981), not to mention a few other classics, I quickly changed my mind. And I’m glad I did because he once showed me that you can never judge a book by its cover. Or a score by its title., as the case may be.

The score for Puppet Master: The Littlest Reich is a smaller and simple score, much like I expected, but Frizzi is still able to create a great mood here. The opening title track is a beautiful piece of music, simple and elegant, and not what you’d think you’d hear for a Puppet Master film. But right when the second track picks up, Third Floor Hallway, the atmosphere kicks in. We have a slow and low sound of the keyboard, with a low pounding in the background. Then a violin (maybe?) kicks in bringing up the eerie factor slightly higher.  About halfway through this track, we hear some bells, like from a wind chime or doll’s toy, which at first might sound innocent, but the way it is used along with the already existing sounds, it just makes it plain creepy.

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HorrorHound This Weekend!

HorrorHound 8-18 banner

In just a few days, we’ll have the van loaded up once again ready to make our trip to another convention. This time out, it will be for the HorrorHound Weekend in Indianapolis, where that show started over ten years ago. Except this time out, it will be at a new hotel than the one it has been at since the beginning. Kind of bummed about that since I really liked the hotel and area where it was at. But I understand how you can outgrow a hotel and need to make the move. Just really hoping for no surprises when we get there to set up…fingers crossed.

Once again, we will be set up there peddling our wares, looking for that exclusive bunch of people that still like to read about their favorite movies. So if you’re coming out to the show, make sure you stop by and say hello. We always like meeting our followers and putting faces to the names we see on emails and messages. For all the information about the show, just click HERE.

Also this weekend at the Skyline Drive-In is their Super Monster Movie Fest, which starts on Friday night and then again on Saturday night, with 4 features each night. We are still planning to try to make it there both nights, but with the show going on and all, might make it a little more challenging, but we’ll see. For more info on the lineup and Drive-In, just click HERE.

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Book Review: Terror in the Desert

Terror in the DesertTerror in the Desert
Published by McFarland, 2018. 312 pages
By Brad Sykes

In an age of internet reviews, when anybody with a computer can be a critic (me being one of them), sometimes we might read a negative review of a movie and brush it off without any inclination to visit it, or in some cases, re-visit it. And I think that is a big mistake on the part of all of us fans.

In his introduction in this book, author Sykes writes, “I honestly believe that most of the films profiled in these pages – flaws and all – have something to offer the viewer.” After reading that, it reminded me once again that even if a movie might only be a 2 or 2 1/2 stars out of 5, that doesn’t mean that it is a total waste of time, but that it still might have some merit and might just be worth watching. Might be a great special effect or stunt in there. Or just a great performance by one particular actor. We just never know. So I just wanted to throw that out there, giving a little credit to Sykes for reminding us fans something that we shouldn’t forget.

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Mystery Photo 8-20

Is the summer over yet??? Really can’t wait for fall to get here, and not even for the obvious reason of the Halloween season. Just want this damn heat to end! Okay…done with the personal ranting…let’s get down to business. The photo from last week was from The Hanging Woman, aka Beyond the Living Dead, Dracula the Terror of the Living Dead, Return of the Zombies, The Orgy of the Dead, Zombie 3: Return of the Living Dead, and in Australia it was even called Bracula: The Terror of the Living Dead! So we did have a few that might have known the correct movie but had sent in a title that wasn’t one of the above. But we did have a few that did send in a correct one and those were: Hoby Abernathy, Troy Howarth, Michael Shields, and Tal Zimerman. Kudos, my friends.

Oh…did I mention that one of the co-stars of this film is Paul Naschy? If you know me…anytime I can mention this icon of horror, I’m going to!

So let’s get to this week’s photo, shall we? Might be another tough one. You’ll just have to look and see what comes to that gray matter between your ears. PLEASE remember not to post your answers here. Just send them to me in an email (jon@kitleyskrypt.com) that way everyone can have a chance at guessing. Good Luck!

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Movie Review: Desecration

desecration1

Desecration (1999)
Directed by Dante Tomaselli
Starring Irma St. Paule, Christie Sandford, Danny Lopes, Salvatore Paul Piro, Vincent Lamberti.

“My films are really about peeling back the layers of pain and guilt buried in the unconscious mind.”

That above quote really captures the work of filmmaker Tomaselli. He is one craftsman that really is creating from his mind, heart, and soul, and I think that really shows in his work. I can remember reviewing this film when it first came out two decades ago and was impressed with what he was showing us. Now with the 20th Anniversary Blu-ray getting a release from Code Red, what better time to take a trip down memory lane than now, right? Has my thoughts on this changed over the years? Has it gotten better, or worse over time? Read on to find out.

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