Varèse Sarabande has released a limited edition “demonic white vinyl” version of Jerry Goldsmith’s Oscar winning score for Richard Donner’s The Omen (1976). Talk about an iconic score! This release is only available on Varèse Sarabande website and each of the copies of this remastered LP will be hand numbered, as well as only having 666 units being released.
This is one of those scores that just listening to it can bring back the chills the film creates and has always been one of my favorites. This is a prime example when a score enhances what is happening on the screen so much, it truly is a masterpiece.
The Riverside Drive-In and DVD Drive-In have announced the titles for this fall’s Drive-In Super Monster-Rama and it is a Hammer fans dream! They will be screening four classic Hammer titles each night on Friday, Sept. 7th and Saturday, Sept. 8th. Each of the titles will be screened from a restored DCP presentation, with four of the titles being screened uncut at a drive-in theater for the first time! Here is the list of what is showing:
Robert L. Lippert
Born Mar. 31st, 1909 – Died Nov. 16th, 1976
If you are a fan of cheap sci-fi/horror films of the ’50s and ’60s, then you’ll probably are familiar with the name of Robert L. Lippert. He is the man was named the “Quickie King” by Time Magazine due to his ability to crank out movies cheap and fast. Sure, they might not have been top-notch films, but they were usually entertaining. He was also the one that started to bring The Fly to the screen in 1958, before it was pretty much taken over by the studio and kicked him to the curb. But he still brought us fun titles like Rocketship X-M (1950) as well as Witchcraft (1964), The Last Man on Earth (1964), The Earth Dies Screaming (1964), and Curse of the Fly (1965).
Lippert had started in the film business working in a theater, starting his way at the bottom and moving his way up. He eventually owned a chain of theaters in California and Oregon. In the late ’40s, he figured out the easiest way to get movies to show in his theaters were to make them himself. He was also reported to be the man responsible for bringing popcorn machines into the theaters!
In just a few days, we’ll be heading off to Mars! No, we’re not a member of the new Space Patrol, but instead are going to Mars, PA for the Monster Bash Conference this weekend! This has become one of our favorite shows and have been looking forward to this for quite some time. Can’t wait to browse the amazing dealer room since I’m always finding some cool stuff to add to the collection. Plus, get to see some old friends, make new ones, and chat with some of our favorite guests and authors. Not to mention hopefully catching a few movies that are screening throughout the whole weekend!
If you’re coming out to the Bash, make sure you stop by our table and check out our goodies. We’ve got a lot of new inventory of great horror reference books just in so there’s going to be a lot to choose from, most only in single copies so don’t wait too long to come and check to see. Plus don’t forget that Troy Howarth will be at our table on Saturday with copies of his new book, Human Beasts: The Films of Paul Naschy, that he will be selling and signing.
For all the information about the show, just click HERE.
And to make this weekend even better, after the show we’re heading to Baltimore for a few days. Going to check out some (hopefully) amazing food places, maybe find some good old fashion book stores, see where Mr. Poe eternally rests, and who knows what.
If anybody has any recommendations, for restaurants, old fashion used bookstores, or anything other macabre and monstrous things in the area that we should check out, please let us know.
Book of the Dead: The Complete History of Zombie Cinema
Published by FAB Press, 2005. 319 pages
Re-Issued by Titan Books, 2014. 376 pages
By Jamie Russell
There are tons of film books on the zombie sub-genre. When this title was first released in 2005, The Walking Dead TV show was still 5 years away from hitting the airwaves. Since that time, books on the zombie culture have flooded the fandom like walkers a Pittsburgh shopping mall. So when this title first came out in 2005, it was long overdue. Finally, someone had taken a very serious look into this sub-genre. But while zombies became really popular in the ’80s, from Romero’s Dawn of the Dead and Fulci’s Zombie, they have been around a lot longer than some might realize. That is where this book comes in.
Yeah, yeah…running a little late today. But better late than never, right! I will say that I thought for sure that I would stump everyone with last week’s photo, since it is a little obscure independent but I was proved wrong, by THREE people! The film is called Wendigo, or Frostbiter: Wrath of the Wendigo, that came out in 1995. If you like stop-animated monsters, than you’ll enjoy this one. This one is a prime title for a Turkey Day marathon and will be screening this November at ours. Kudos to the following for recognizing this little gem: Hoby Abernathy, Margaret Santiago, and Will Wilson. Well done!
Okay, let us get to this week’s photo. This one might be pretty easy, but there is a little reasoning behind it. Plus it’s a damn fun movie. So gave at the photo and hopefully you don’t end up like the guy in the photo!
As always, please remember not to post your answers here so others can have a guess. Just send your guess to us in an email, to email@example.com. Good Luck!
Film Alchemy: The Independent Cinema of Ted V. Mikels
Published by McFarland, 2007. 220 Pages
By Christopher Wayne Curry
The name of Ted V. Mikels is one that is not that well known in the film community. Unless of course, you are a fan of cult movies. Then you are well aware of the name, and the man, and the movies that he has given us over the past 40+ years. Now thanks to author Curry, we are able to get a closer inside look at the man and his movies.
Mikels’ films can pretty much be the definition of “independent cinema”. Within these pages, Curry does an excellent job explaining and showing the readers just what Mikels has gone through to bring his productions from conception to creation. It’s not a pretty story in most cases. But as Mikels says in the book, “I always tell people at the beginning of my movies that if they’re not here to enjoy the making of a movie then they shouldn’t be here.” I think that statement perfectly describes Mikels. He simply loves to make movies.