Born Mar. 29th, 1916 – Died Apr. 1991
One of thing that Hammer films are most known for are the way they look, especially their early Gothic horror titles that really catapulted them into popularity. While the talents on the screen of Peter Cushing, Christopher Lee, and the rest of the stellar actors used, and even the talented directors and writers, one of the reasons these pictures looked like they did was because of the cameraman, Jack Asher.
He started in the film business as something as simple as the guy who was to open and close the door while filming was being done. Eventually, he was asked to join the camera crew by Roy Kallino, at the bottom, learning the basics like loading the film into the magazines and working his way up, to eventually becoming a camera operator himself. He worked on some of Hammer’s early color films and is definitely party of the reasons those films look like they did. He worked on CURSE OF FRANKENSTEIN, HORROR OF Dracula, Revenge of Frankenstein, The Man Who Could Cheat Death, Brides of Dracula, The Mummy, as well as a few of their non-horror titles.
He worked for Hammer for less than 10 years before basically being let go because Hammer deemed him too slow for their fast-paced shooting schedules. Damn shame if you ask me.