Sorry for the missed photo last week, but the weekend was just that busy! But even with an extra week, we only got two correct answers sent in. They were from Hoby Abernathy and Tim Palace. Well done! The shot was taken from Night of the Sorcerers (1974), from Amando de Ossorio, the same director that gave us the Blind Dead series.
Now on to this week’s photo. Hopefully this one won’t be as hard. Maybe. Just remember not to post your answers here so everyone can have a chance at it. Just send your guess to us in an email to firstname.lastname@example.org. Good Luck!
When thinking about the upcoming holiday, most people don’t think about horror films. In fact, it is supposed to be a joyous time, with gifts, food, family, commercialism…oops…skip that last one. But as I said, “most” people don’t think about horror films….but we do! So one way for us to stay with the “holiday spirit”, we can now read some essays on the Christmas by some of the genre’s talented writers!
That’s right, folks. October may be over, but that just means that Turkey Day is approaching. And no, I don’t mean the Thursday that we sit around the table and stuff ourselves more than the Turkey you’re eating, but an even more important occasion…our Annual Turkey Day Marathon! And this year marks our 15th year of our little crazy tradition.
Released by Varèse Sarabande Records, 2017
11 Tracks with a Total Running Time of 42 min.
Music by Tangerine Dream
Not sure if my introduction to the work of Tangerine Dream was from Risky Business soundtrack. Later one, it was the score they did for Near Dark that really blew me away. But no matter which one you might have heard first, once you did, it was very easy to get hooked on their style and sound. And this score for Firestarter that they did back in 1984 is no different.
The music they came up with for this film is not a horror score at all, but one that is very…almost dreamy, if you will. Although track # 2, The Run, almost sounds like something an ’80s nightclub show, the main part of the score is slow and moody, working its way in the background, weaving its way into your brain.
While it is very recognizable that it is a Tangerine Dream score, I do have to say it’s not one of my favorites.
This was release as part of the Stephen King Collection from Varèse Sarabande Records.
For us horror fans, there is nothing like classic movies posters. Back when there was some amazing artwork, enticing audiences to come into the theater to see the latest picture. From the posters of the ’30s on up to the ’80s, there was some incredible artwork on those. But then something happened in the ’90s and it seems like the studios were going with basically photos of the stars in the movie. So much that many posters looked almost identical, like the Scream movies, I Know What You Did Last Summer, Halloween H2O, and so many more. So what happened?
Yesterday, I headed into the Chicago for the rescheduled Massacre, the 24-hour horror movie marathon at the Patio Theater. It was originally in October, but due to the rain coming into the theater, it was postponed until yesterday. As soon as I walked in the lobby, you could notice how cold it was in there. Apparently they turned on the hear around 10am but it took several hours for it to warm up a bit in the theater. I wish I would have brought my gloves! It really is a shame the issues this place has because the Patio is a beautiful theater.
Some of the unsung heroes of horror films and monster movies are the guys that are actually creating the creatures! Back in the ’80s, the special effects and makeup artists were just as famous as the actors and directors, but that seems to have faded away. Sure, there are still names like Savini and Baker, but there are still so many talented people, working long and hard hours, to help bring these cinematic terrors to life. Now thanks to Heather A. Wixson, we can hear from several of the guys & gals in the trenches.